The Man Who Knew Too Much is Hitchcock’s only remake and, as such, it probably ought to be a whole lot better. The resulting film suggests he really wanted to make a Moroccan travelogue and symphony picture… assuming he didn’t set out to make a turgid thriller.
There’s also something else awkward about Man–Doris Day. For the first twenty-five minutes or so, Day is the protagonist. And not just a protagonist, but a forceful one. Then, once the plot gets going at the thirty-minute mark, James Stewart takes over. Previously he was ineffectual and unobservant, but then he becomes a more standard hero. For a while, anyway.
The conclusion ocelates between Day and Stewart, though Stewart is never as effective as Day in her early scenes.
John Michael Hayes’s mediocre (at best) script is clearly Man‘s most debilitating problem. Still, given the film ends with a fantastic opportunity for an end cap (without the accompanying opening bracket), Hitchcock holds some responsibility too.
The Albert Hall sequence–the film’s first ending–is absolutely amazing. It’s brilliant filmmaking and, tellingly, doesn’t need the rest of the film to be appreciated.
Bernard Herrmann and Arthur Benjamin’s score is often amazing too. There’s a great scene with quiet, suggestive sublime music while Day suspects newfound friend Daniel Gélin. The score’s better than the film deserves.
Stewart and Day are solid, neither exceptional. Gélin and Brenda De Banzie are excellent. Bernard Miles is awful.
Man‘s a mixed bag, but undeniably well-made.
Produced and directed by Alfred Hitchcock; screenplay by John Michael Hayes, based on a story by Charles Bennett and D.B. Wyndham-Lewis; director of photography, Robert Burks; edited by George Tomasini; music by Bernard Herrmann; released by Paramount Pictures.
Starring James Stewart (Dr. Benjamin McKenna), Doris Day (Josephine Conway McKenna), Brenda De Banzie (Lucy Drayton), Bernard Miles (Edward Drayton), Ralph Truman (Inspector Buchanan), Daniel Gélin (Louis Bernard), Mogens Wieth (Ambassador), Alan Mowbray (Val Parnell), Hillary Brooke (Jan Peterson), Christopher Olsen (Hank McKenna), Reggie Nalder (Rien), Richard Wattis (Assistant Manager), Noel Willman (Woburn), Alix Talton (Helen Parnell), Yves Brainville (Police Inspector) and Carolyn Jones (Cindy Fontaine).