Theresa Tilly

Debutante (1998, Mollie Jones)

Debutante isn’t perfect. There’s some awesome sound design, but director (and editor) Jones pushes it a little to carry over into other scenes. It works a little bit, but not always.

So it isn’t perfect.

Otherwise, it’s probably perfect.

Selma Blair plays the protagonist, who probably has the least lines in the short. She’s got a bad set of parents and runs off to a party. Maybe. The narrative’s a little fractured. One actually has to go on costume design to determine the chain of events.

The exact chronology doesn’t matter as much as Blair’s performance. She’s amazing, even when silent, and Jones’s direction. Debutante is a beautifully made little film. Jones turns up the volume and still manages to be subtly profound. I think it’s a student film, which is even more impressive.

Great photography from Byron Shah, nice supporting turns from Theresa Tilly and Josh Hartnett.

It’s fantastic.

3/3Highly Recommended


Written, produced, edited and directed by Mollie Jones; director of photography, Byron Shah; edited by Halina Siwolop.

Starring Selma Blair (Nan), Meghann Haldeman (Carla), Josh Hartnett (Bill), Theresa Tilly (Mother) and Steve Tom (Father).

The Evil Dead (1981, Sam Raimi)

For whatever reason, Sam Raimi now has The Evil Dead released in a matted version (to 1.85:1 from 1.37:1). It looks awful.

Raimi’s strength as a director comes from his constantly agitated camera; his static shots are–well, I guess the shots of the sun setting and the moon rising in Evil Dead are cool–mediocre at best. With the improper matte and the utter lack of head room, his static shots become much, much worse.

I haven’t seen Evil Dead in about ten years (I still have the OAR DVD release around and feel like it deserves another look) and I think the ship’s sailed for me. I saw the unrated, NC-17, rated X version. I can’t figure out how the film, with it’s super-cheap special effects, deserves such a rating. It’s cartoon violence.

Things I noticed this time include Theresa Tilly’s terrible scream (wish there was a good synonym for scream starting with t, let me tell you) and Richard DeManincor’s character’s complete indifference to other people.

There’s a lot of other stuff to the picture, sure, but it’s basically all about seeing Raimi’s camera movements. Joseph LoDuca’s score might be the best thing about the film, just because it’s so good, compared to the roughness of everything else.

Campbell does an all right job–definitely the best performance–but everyone’s underwritten here. It’d be impossible to gauge acting talent from Evil Dead.

The last third is unbearably long though. Boring gore. Who knew?



Written and directed by Sam Raimi; director of photography, Tim Philo; edited by Edna Ruth Paul; music by Joseph LoDuca; produced by Robert G. Tapert; released by New Line Cinema.

Starring Bruce Campbell (Ashley J. Williams), Ellen Sandweiss (Cheryl Williams), Richard DeManincor (Scott), Betsy Baker (Linda) and Theresa Tilly (Shelly).

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