Tamlyn Tomita

Star Trek: Picard (2020) s01e03 – The End is the Beginning

This episode ends where the second episode should’ve ended, with the Jerry Goldsmith Star Trek: The Motion Picture theme (i.e. “The Next Generation” theme) and a starship going into a very boring warp. It took Picard (Patrick Stewart) and his band of sidekicks all episode to get into space; apparently you can teleport everywhere in the future but not get a starship into gear for an entire episode.

It opens with a flashback. Picard and introduced last episode sidekick Michelle Hurd in some questionable Starfleet uniforms arguing after Picard’s meeting at Starfleet after they tell him they’re letting billions of aliens die because, well, the Federation’s racist, so what. Kind of sucks not getting to see Stewart yell at Starfleet. Shatner always got to yell at Starfleet. Instead, he just gets to recap to Hurd, who can’t stop calling him “J.L.,” because it’s unthinkable she’d call him Jean-Luc, Admiral, or whatever. If they turn out to have been sleeping together, moany “J.L.”s are going to haunt the imagination. It’s a silly move, like they’re trying to make Hurd seem like the cool Black sidekick to the old White man in a 1990s movie. She’s basically in the 1991 LL Cool J role. There’s optics to Stewart selling her out, but they’re never addressed. He just happens to push the Black woman on her sword.

In the present we find out Hurd’s a genius who can wave her hand meaningfully at the future computers and figure things out. But she’s also a pothead. They call it something else—like snake-leaf—but she’s a pothead. Again, there are optics. “Star Trek: Picard” manages to be less woke in 2020 than First Contact in 1996, though—even though she’s okay—Hurd is no Alfre Woodard. Not even Woodard doing a Star Trek.

She and Stewart bicker a bit, but she immediately agrees to help him, setting up eye-candy, roguish pilot Santiago Cabrera. Cabrera’s supposed to be Han Solo but he’s actually got a big ol’ man-crush on the Starfleet principles in general and, we find out, Stewart specifically. It’s an eye-roll at the forced earnestness but fine; Cabrera’s amusing enough.

Hugh the Borg (Jonathan Del Arco) shows up in the Isa Briones Borg subplot, which still manages to be a lot more interesting than the Picard getting a crew together one—even if Briones is starting to grate. Neither she or Harry Treadaway are particularly good, acting-wise, and it seems like her subplot’s going to be some kind of future-present thing because the show creators have seen Arrival but also the new “Battlestar Galactica” but… Borg anthropology—Borgopology—is engaging enough.

Really not here for the Alison Pill and Michelle Hurd bickering for no reason other than being the only two women thing though. Also Tamlyn Tomita’s quite bad as it turns out. Oh, and Picard knew about the secret Romulan android hating secret society going back to when the Romulan mission failed, which you think he’d have mentioned last episode.

But whatever. It’s a short episode (less than forty-five) and passes well enough. Though the constant fades to commercial in a streaming series are annoying.

Star Trek: Picard (2020) s01e02 – Maps and Legends

I was expecting a lot of fan service this episode and it definitely did not provide. But instead of doing fan service—outside confirming Riker, Work, and LaForge are all still alive—this episode just kills forty-five minutes or so until the next one. “Picard” has a ten episode season and Maps and Legends is utterly disposable. Unless it really matters seeing a sadly underutilized Ann Magnuson as a Starfleet admiral telling Patrick Stewart she’s sick of his liberal mansplaining and no one has to listen to him anymore, which doesn’t work because Stewart’s right. He might be mansplaining but he’s not wrong. The whole “Starfleet decides to let billions of Romulans die because they’re basically space racists” thing? They’re the bad guys now. They had to decide whether or not they were going to step up and they did not.

Because the post-Roddenberry “Star Trek” humanity is humanity, not the aspirational stuff. “Picard”’s future humanity never would’ve made it through the twentieth-first century… just like we won’t. Anyway, I wish Magnuson was better in it. There’s no real stunt-casting but some familiar guest stars—David Paymer plays Stewart’s Bones McCoy from the Stargazer, which was Picard’s first command and a big recurring thing on “Next Generation.”

Paymer’s not great. He’s not even good Paymer annoying. He’s just there to give Picard his Search for Spock arc. At one point, Stewart’s even talking about how even if there’s a chance of Data’s soul existing, he’s got to go find the daughter (Isa Briones, who has a somewhat interesting arc fooling around with Romulan emo stud Harry Treadaway as they excavate an old Borg cube) as surely if she were his very own.

Yeah, so… this episode is like if they did a Star Trek III homage but forgot to be intentional and fun about it.

But then there’s also the cross-species conspiracy against… hang on… got to drag this reveal out because they really drag it out in the show, with Orla Brady acting like anyone is going to care the Romulan secret secret police hates androids. And, guess what, they’re not the only ones. There’s a secret society in the Federation who helps the Romulan secret secret police’s quest to destroy androids.

Somebody’s seen Star Trek VI too!

And why do they hate androids? Who knows. But they’ve hated them for hundreds of years, probably because the Romulan equivalent of a Roomba hit some ruler’s toe and he went ape-shit. Actually, no, because that idea is too fun and “Picard”’s unnecessarily morose. Especially since second-billed but in the episode for a scene Alison Pill has fun, even when she’s in high drama. Ditto Stewart. He’s trying to bring some charm to the project, even as the project resists.

Tamlyn Tomita plays the evil Starfleet mole. Peyton List is her sidekick. Fourth-billed Michelle Hurd shows up for a scene at the end. Not the cliffhanger scene because Stewart doesn’t get the cliffhangers (yet, hopefully), because he’s not important this episode. He’s not going to get important until he gets out into space and engages and whatnot. This stuff is just episode commitment time killing.

Though the Borg excavation stuff is at least interesting. Co-writers Akiva (Batman & Robin) Goldsman and Pulitzer Prize-winner Michael Chabon are a lot better with the Borg fanfic than the actual writing for Patrick Stewart stuff.

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