Scott Lobdell

Teen Titans 3 (January 2012)

Lobdell’s gay superhero makes his first appearance this issue and… wow… he could not be more flamboyant. Not sure Lobdell’s aware all gay men aren’t Jm J. Bullock. It’s some terrible writing.

But there’s actually a really fun page in the comic. I couldn’t believe Booth had it in him. Kid Flash–let’s not forget, Kid Flash wasn’t ever a sidekick (that detail of the Titans didn’t make it to the new DC universe)–runs around a room and Booth shows the numbered order of little events. It’s fun. It’s more fun than anything in Titans and it’s something out of a kid’s picture book.

Nothing really happens this issue other than the Bunker (the gay kid) introduction. The regular story line doesn’t develop, just little moments, like Red Robin meeting a giant android and Wonder Girl torturing a bad guy.

It’s a fast read, which means its over sooner.


Better to Burn Out… Than to Fade Away; writer, Scott Lobdell; penciller, Brett Booth; inker, Norm Rapmund; colorist, Andrew Dalhouse; letterer, Dezi Sienty; editors, Katie Kubert and Bobbie Chase; publisher, DC Comics.

Red Hood and the Outlaws 3 (January 2012)

Unbelievable. Lobdell has this all knowing kid god look into the histories of the cast because they’re so “curious.” Nothing like the writer creating characters who tell the reader the lame characters are really, really interesting.

Also interesting is a detail about Starfire’s memory. I thought Lobdell had given interviews she and Jason are just messing with Roy about her being an anterograde amnesiac (or whatever) and she’s not really a brainless nymphomaniac. This issue directly contradicts that explanation. She really is a brainless nymphomaniac.

And how can Green Arrow have a sidekick in his twenties if he’s in his twenties now? The logic editing of the new DC Universe is just dreadful.

Rocafort’s scenery drawing skills come in handy, but he’s bad at giant monsters and humanoid figures.

Lobdell unexpectedly finishes on a sappy note. It’s lame, desperate, and nearly sincere.

Sincere or not, Red Hood is still awful.


Cherish is the Word I Use — to Destroy You!; writer, Scott Lobdell; artist, Kenneth Rocafort; colorist, Blond; letterer, Pat Brosseau; editors, Katie Kubert and Bobbie Chase; publisher, DC Comics.

Superboy 3 (January 2012)

Lobdell, always original, opens with an “homage” to Pulp Fiction. Along with Silva and Lean’s sparse, awkward artwork, it does not suggest this issue of Superboy will be an improvement on the last.

Silva, who I apparently found okay before, is really lousy here. There are a couple panels I can’t believe DC let be published with the Swoosh on the cover. The artwork is stunningly amateurish.

As for the writing, Lobdell is now firmly situated in Superboy’s point of view. He’s using it mostly for exposition–Superboy thinking about how his powers work, for example–and he can’t make it feel contemporary with the action.

Lots happens but almost nothing happens. Superboy goes to the center of the Earth, aids and abets a murderer and fights a Greek or Roman goddess. Lobdell and Silva fail to make any of those events interesting.

Superboy is almost too lousy to mock.


Free at Last, Free at Last; writer, Scott Lobdell; penciller, R.B. Silva; inker, Rob Lean; colorists, Richard Horie and Tanya Horie; letterer, Carlos M. Mangual; editor, Chris Conroy; publisher, DC Comics.

Teen Titans 2 (December 2011)

I assume Lobdell had to turn in his terrible script for Teen Titans early (so Booth could draw it poorly), which means his constant references to objectifying women aren’t some breaking the fourth wall reaction to the response to the misogyny in his writing.

Too bad. It might be funny.

Wonder Girl can’t shut up about Robin–sorry, Red Robin–looking at her butt. It’s bad the first time and tiring the next thirty. The funny part, of course, is Red Robin really is looking at her butt and he doesn’t admit it. The lousy narration gives it away.

Other things we learn… black superheroes become cockroaches and Kid Flash doesn’t know the Flash. It’s so hard to figure out the new DC Universe.

The most fun in Titans is when Booth and Rapmund’s expressions work in direct opposite to the writing.

Though Lobdell’s inability to use English amuses too.


Underground and Overwhelmed!; writer, Scott Lobdell; penciller, Brett Booth; inker, Norm Rapmund; colorist, Andrew Dalhouse; letterer, Carlos M. Mangual; editors, Katie Kubert and Bobbie Chase; publisher, DC Comics.

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