Ruthie Ann Miles

All Rise (2019) s01e13 – What the Bailiff Saw

So it looks like Peter MacNicol is going to be a regular guest star, which is fine. He exudes a lovable, not too problematic old white guy energy as Simone Missick’s new judge pal. He shows up for a single scene, to talk to her about the case she’s got going, then disappears again. I didn’t pay attention to his credit in the titles, unfortunately. “All Rise” could use MacNicol around more, especially as this episode seems to imply the initial overarching stories are winding down.

For example, the first time we get to see Tony Denison lash out at son Wilson Bethel might be the last—no spoilers. Denison’s mad Bethel thinks Denison is a murderer, with Lindsey Gort (who’s rather bad this episode as Denison’s lawyer) tries to calm things. But there are some big signs Denison’s time on the show is coming to a close. Similarly, the show’s pushing off Missick’s absentee husband (Todd Williams) for the rest of the season at least. He’s taking a job in DC to make Trump’s FBI more Black-friendly. Him taking the job comes after he introduces Missick to his white FBI lawyer friends, who are all impressed she stood up to ICE… even though they’d be defending ICE in court. And I’m not sure “All Rise” can really sell a fantasy land where Trump-BI is looking to hire Black agents who want to make justice equitable.

Besides, Williams isn’t very good. He’s bland and he and Missick always seem forced together. They really should’ve casted his part better. A modicum of chemistry would make a big difference.

The trial this episode involves Jessica Camacho defending a teen gang member (Luca Oriel) accused of murder and the D.A. bugs the room where defense attorneys meet with their clients. It kicks up a bunch of dust, including an impassioned scene from Lindsay Mendez about how gang members are people too (the show’s humanist take on it is… well, it doesn’t make up for the FBI absurdities and Mendez’s monologue isn’t great but it is a risky position, especially on CBS) and then J. Alex Brison coming down on the wrong side of the issue for girlfriend Camacho.

Not one of the show’s better episodes, but the promise of less Gore and maybe no Williams gives me hope for the future. Though I’m going to miss Denison, even if the show never utilized him well.

All Rise (2019) s01e12 – What the Constitution Greens to Me

This episode of “All Rise”—the first after hiatus—seems like a return to form. At least as much form as “All Rise” has ever had; in terms of guest stars, it means the pilot. “All Rise”’s guest star caliber has dropped since then. Not anymore. This episode doesn’t just have Peter MacNicol as a “I know racism is real, but unconscious racism… not sure about that business” judge colleague of Simone Missick’s who’s presiding over Wilson Bethel’s case. Missick’s got a “bonding with the other judges” subplot she’s going to be doing post-hiatus, with MacNicol her first new pal. He’s good at it and able to navigate the character’s inherent queasiness well. The part leverages MacNicol’s likability, which CBS no doubt remembers from when he was on “Numb3rs” for years.

Speaking of “Numb3rs,” Alimi Ballard shows up this episode too. He’s a Black dad whose wife died because of doctor John Billingsley’s obviously racially motivated neglect. There’s no reuniting with MacNicol—I can’t even remember if they share a shot together, probably not given episode director Steve Robin’s penchant for close-ups—which is fine. Ballard’s… not great. He’s okay. But they could’ve casted the part better.

“All Rise” has never reminded me of “Numb3rs,” instead I always think of it as taking place in the “Major Crimes” universe where cops and DAs aren’t bigots and racists, and also because Tony Denison pops up from time to time as Bethel’s dad. Denison’s back for a scene and not a great one, but then they also bring on “Major Crimes” vet Graham Patrick Martin as an annoying young white guy (Martin’s only note) who wants to commit environmental terrorism to get back at Republican senator mom Kathleen York. Their case is in Missick’s courtroom—she has to consult MacNicol because she’s now worried Marg Helgenberger might be corrupt—and… well, Martin hasn’t improved since “Crimes” ended. He’s got less to do so he’s less annoying. The case only really stands out because Patrick Duffy plays Martin’s ecoterrorism mentor and Duffy is freaking awesome. It’s an exaggerated cameo but who knew we got to the point where Patrick Duffy was going to be one of the best actors on a nighttime drama.

The show does all right with its buzzy topics—unconscious bias, corrupt politicians—at least until Bethel lets Billingsley’s doctor spout a bunch of stereotypes about Black women’s medical conditions without a rebuttal witness. “All Rise” is very fast and loose with its courtroom stuff. We get to see Bethel’s closing argument but not the defense’s. It’s kind of annoying but also okay because the show shouldn’t aim too high. It still doesn’t have good banter between best buds Missick and Bethel, even though they’re good together.

Lots of beach scenes this episode. The show’s also going to be playing up its L.A. setting now?

Much like “Major Crimes” (and “Numb3rs” for that matter), you wish the better actors were in better productions but it’s nice to see Missick and Bethel have a steady gig. I enjoyed watching this episode a lot more than the last… I don’t know, five or six of them. Jessica Camacho and J. Alex Brinson are back to being cute, which gets cloying but at least they don’t have bad arcs.

It’s fine. Hopefully they maintain this better balance through the rest of the season.

All Rise (2019) s01e11 – The Joy From Oz

Does the Los Angeles court really have a bring your kids to work day? I’m less engaged with the dramatics of “All Rise,” which has Wilson Bethel hemming and hawing over whether or not to help dad Tony Denison with his upcoming trial or just abandon him and Simone Missick having to defend herself as a judge to her current and former peers, whose problem with her is basically she’s a Black woman but “All Rise” doesn’t have the stones to say it, than with the incidentals of the courthouse they’re creating. Chief Justice Marg Helgenberger deciding her most important duty is to make sure visiting kids have the best time on their trip is… very weird. And very silly (they stage a mock trial based around Wizard of Oz, sadly it’s for the kids and not smartly written). But Helgenberger’s awesome at being silly. She’s been fine on the show before, good even, but never so much fun.

But while she’s being fun in a C plot, Missick and Bethel are just trying to get through the episode. It starts with everyone going crazy for the cookies at the District Attorney’s holiday party, which seems like utter nonsense. A bunch of harried adults geeked out a couple cookies (because they’re not irresponsibly snacking of course). “All Rise” dares the viewer to take it too seriously.

Anyway, Bethel’s arc is all about how some crook rats out his boss and it turns out to be because of a family thing and so it inspires Bethel not to abandon Tony Denison, even though at the end of last episode Bethel was ready to quit his job and become a defense attorney. There’s also a white guy redemption thing to it. Meanwhile, Missick’s got to defend herself against asinine allegations—she apparently embarrasses attorneys in her courtroom when they’re shady or incompetent—while Rocket Romano (or whatever Paul McCrane’s conservative white judge but not racist conservative TV nonsense conservative) shoots her withering looks. It’s got a predictable end.

Missick gets a big speech about how she’s going to judge the way she’s going to judge and it’s… fine. It’s not well-written, it’s certainly not well-directed (Claudia Yarmy’s direction is best described as annoying), but Missick gets through it. See, she’s got the hashtag woke courtroom and everyone—except the white prosecutors (save Bethel of course)—thinks there finally needs to be a hashtag woke courtroom. Not sure why no one else could do it but whatever. It’s just sad Missick’s stuck on such an obvious, middling network drama instead of actually getting to act on something.

All Rise (2019) s01e10 – Dripsy

Lots of guest stars this episode—Tony Denison, Ileana Douglas (who brings so much energy to the show she ought to be added as a regular), familiar-faced Brian Howe, and then Dina Meyer for a scene. The episode’s about Simone Missick having to switch courtrooms due to a leak and then protect the defendant in a case from her incompetent lawyer (Howe). Oh, and Wilson Bethel’s got a sleepwalking burglary case—Douglas is the consulting psychiatric examiner—but mostly he’s dealing with dad Denison getting arrested.

The episode then ends with Marg Helgenberger very calmly and disinterestedly informing Missick she’s under review. Missick’s old buddies in the prosecutors office have filed complaints (not Bethel, obviously). The episode ends on a semi-solid cliffhanger between Missick’s review and Bethel debating whether or not to quit his job to defend Denison and there’s this possibility the show could be about both of them quitting to become defense attorneys and it’s the most potential the show’s had in maybe ever.

Shame it’s not going to happen.

It’s also moving day for Jessica Camacho, who ends up in Missick’s courtroom by the end of the episode but doesn’t really do anything there. Camacho is moving in with court reporter Lindsay Mendez who’s a regular but doesn’t get story arcs. J. Alex Brinson and Camacho go out on a date, which gets bumpy but also doesn’t, and he’s apparently forgotten all about new prosecutors office clerk Audrey Corsa. She’s in it for a literal shot, reminding everyone she exists but having nothing to do. Kind of weird to introduce her just to drop her but whatever.

The cliffhangers for Missick and Bethel, which are all of a sudden instead of building over multiple episodes (especially Bethel’s), reek of middling plotting and give the actors very little to work with. Though having Denison back—he’s barely in the episode though, with Bethel’s time mostly spent trying to find him lost in the system—does mean having Denison’s fantastic hair helmet back. It’s awesome.

Not sure it’s worth watching the show just for it but it’s awesome.

All Rise (2019) s01e09 – How to Succeed in Law Without Really Re-Trying

Okay, when I said “All Rise” reminded me of “Major Crimes,” maybe I shouldn’t have cursed the show with an Ever Carradine guest star. Carradine plays an old defense lawyer nemesis of Simone Missick’s, who’s got an appeal—she wants to get alt-righter, white supremacist Ben Leasure out of jail—and Carradine’s confident because she’s up against Wilson Bethel not Missick. I mean, Missick’s only got the bionic arm, Bethel never misses. Wait, wrong shows.

Better shows.

Good shows.

Anyway, Missick wants to help Bethel but not too much. Meanwhile she’s pissing off a prosecutor (Suzanne Cryer), who’s trying to railroad some defendant in an unmemorable case but has it out for Missick and it doesn’t at all seem like Cryer doesn’t like Missick because Missick’s a Black woman. Oh… wait… it does. As it seems Cryer will be back to report Missick to her manager… maybe Cryer ought to fire her agent.

The thing about the episode is it’s directed by Cheryl Dunye, who’s an excellent indie filmmaker; usually “All Rise” is just wasting Missick and Bethel’s time, not the director’s. This episode, though, it’s well-directed but with that same tepid “All Rise” writing. At least it’s engaging to watch to see the direction. I couldn’t help wishing it’d lead to Dunye, Missick, and Bethel teaming up on something worth their talent.

Back to Carradine. She’s playing this neuroatypical (but self-aware) defense attorney who’s seemingly convinced Leasure is innocent even though he’s obviously guilty. Well, I guess it doesn’t matter if she thinks he’s innocent. It’s unclear. The show’s not smart enough to delve into the defense attorney of the guilty client thing, even as third lead Jessica Camacho is defending obviously guilty John Ales and doesn’t want to defend him because he’s a pain in the ass. I guess Ales is good? Maybe. He’s at least not unwelcome when he’s in a scene. Carradine hovers around like a threat. The scene where she has a showdown with Missick is patently absurd as Missick starts seeing herself from Carradine’s warped perspective, which has its own optics the show doesn’t seem to recognize.

Also good is Audrey Corsa, as the new law clerk in the district attorney’s office who teams up with Bethel on the Leasure case.

In addition to actually being good, Corsa also reveals J. Alex Brinson isn’t so much interested in Camacho as he is a hot to trot capital D dog, which is fine. I resent liking Brinson given he’s still the murderous spousal abusing cop from “Travellers,” also a much better show. And good.

Last thing—the episode’s weird with the other white people in the alt-right case. Michael Graziadei is a reformed alt-righter who might be a co-conspirator but gets a pass because Christian and no one talks about how “resister” Tamara Clatterbuck, sister of defendant Leasure, is actually a perjuring monster with half-Asian kids her brother wants to kill and she picks the brother.

“CBS woke” is not woke at all.

Though it’s nice to great to see a Dunye credit and pretty please, universe, let her make something else—something actually good—with Missick or Bethel.

All Rise (2019) s01e08 – Maricela and the Desert

There’s a road trip to Vegas this episode, which feels like a trope. It’s not a particularly engaging Vegas road trip, possibly because Wilson Bethel and J. Alex Brinson don’t have any chemistry together, possibly because the whole thing hinges on Brinson having to talk to a sheriff’s deputy Black man to Black man after Bethel’s just too white for it. Brinson and the deputy’s talk then gets into this whole Black men in law enforcement arena where “All Rise” revs up its performative centrism. It’s particularly eh because it’s the only thing Brinson does on the road trip. He’s just there to be a Black guy. Oh, and to talk about Brinson’s brewing romance with public defender Jessica Camacho.

Meanwhile Camacho is defending a murder suspect in Simone Missick’s courtroom and “All Rise” just doesn’t seem very serious with the murder trial. It’s unbelievable defendant Sebastian Sozzi is going to turn out guilty because his kid, Eva Ariel Binder, loves him so much. And he loves the kid too. How could he have possibly murdered the mom. Is it going to turn out White ADA Kelly Frye and Black detective Eugene Byrd maybe railroaded the Hispanic guy? Through… cultural ignorance no less.

It’s a weird episode with the murder trial. Missick’s all about protecting Binder from the system, which is cute and all but the mom’s dead or missing (Camacho’s already been busted bragging about how it’ll be a slam dunk because there’s no body in front of the kid), and it just doesn’t seem like “All Rise” is serious enough to be taken seriously when it asks to be. It’s not even clear it wants to be taken seriously, kind of like defendant Sozzi, who’s uncontrollable when Binder’s around. I don’t think Missick ever puts him in contempt because of course he’s going to be uncontrollably emotional given his pleas of innocence.

The episode ends with Bethel and Missick hanging out, which used to be one of the things the show got right. Now they seem like strangers, which might just be the writing, but… the show’s bland in all the wrong places. Camacho’s nearing annoying, the guest stars aren’t of the pilot’s caliber, and the writing is just way too flat. Instead of improving, “All Rise” is floundering, wasting both Missick and Bethel’s time. Especially Bethel’s this episode.

All Rise (2019) s01e07 – Uncommon Women and Mothers

Tony Denison is finally back. Not for very long in sort of a “let’s defer Tony Denison some more” way, but it’s nice he’s back. It gives second-billed but at least fourth in the show’s heart Wilson Bethel something else to do this episode besides prosecute extremely sympathetic non-binary young adult experiencing homelessness J.J. Hawkins for arson. “All Rise” quadruples down on the pronouns this episode and never makes a joke. It’s got slimy businesspeople respecting pronouns. Though this episode also has Black woman judge Simone Missick telling her mother, Black woman social worker L. Scott Caldwell to trust the system to do the right thing.

Because the system’s fine, it’s the people.

So… ew. Lots of optics here.

Missick also has to be contrite to boss Marg Helgenberger at one point… while reaffirming how much, as a judge, she loves the cops. So… double ew.

Thank goodness the show realizes Ruthie Ann Miles and Lindsay Mendez can be buddies and have hijinks, this time involving them both wanting to be fire warden. I hold the opinion all television programs ever could have their opening titles cut to the “Night Court” theme song, but rarely do I ever hear it so often as when “All Rise” is having its hijinks.

Oh, and assistant assistant D.A. Bethel does get to tell off boss Reggie Lee when Lee’s ranting about the dangerous homeless because before Denison became a bookie to the Russian Mob (based on this episode’s visual indicators), he and Bethel at one point lived out of their car. Though pretty soon Bethel met Missick and found a second, better parent in Caldwell. What’s funny about the show’s schmaltz is how it’s also visually soft and upbeat. If it had any grit or grain, it’d be an interesting contract. Instead, it’s like the show is…

Oh.

Yeah.

It’s wearing its safety pin.

But the cast. But for the cast. Seeing Missick and Bethel doing straight network drama is damned interesting, considering it’s not where their futures lie. At least not in an “All Rise”-type form.

All Rise (2019) s01e06 – Fool for Liv

Something about this episode feels like it ran into the show’s budget. Though there’s some location shooting. Kind of a lot of it, but there’s no action at the locations. There’s standing or sitting. And it’s never on the A plot, always B or even C. On the A plot, outside Jere Burns as a terribly written slick defense attorney, everything feels like it’s under serious constraint. Burns is defending a social media star’s assistant, accused of murdering the social media star. All of the assistant’s fans are in the courtroom disrupting the proceedings, making judge Simone Missick look unable to control her courtroom so her job is ostensibly in jeopardy and Burns is being slick instead of actually lawyering and on and on.

But it’s all done cheap. It’s supposed to be lighting up social media only the show never shows how that lighting up affects anything. It’s like the show knows having social media fans dox jurors is bad, but it doesn’t know why it’s bad. Does “All Rise” even employ any legal consultants? It doesn’t seem like it does.

There’s some good stuff with Missick and court clerk Ruthie Ann Miles hanging out, but in a very humorous way not in actual character development way. I’m also not sure but it seems like Missick is having trouble not laughing at some of Miles’s best deliveries. And the stuff with Missick and Burns gets to an all right point, so it’s a shame to episode doesn’t end with it but instead subjects us to more of Jessica Camacho and J. Alex Brinson’s courtship.

So Camacho’s got a case where she’s defending a guy against Wilson Bethel, who’s got nothing to do this episode because he’s not allowed to try cases in front of Missick and instead his boss, Reggie Lee (who’s a regular?), tries it. Bethel and Camacho are trying to work out a plea deal for her client, whatever. The episode makes Bethel seem potentially shady, which he isn’t. “All Rise” is aspirational. Bethel’s a white knight. But Camacho doesn’t seem to trust him, but then she does once Bethel reminds her he’s a white knight. Their plot feels like writer Conway Preston was just trying to pad out the episode. It’s not good. It’s lazy.

Camacho and Brinson’s cutesy courtship is worse though. It’s annoying. They’re now officially obnoxious together, which is too bad because they’re both likable apart. And their relationship used to be cute versus cutesy.

I think this episode’s the equivalent of a bunt, if I’m getting my baseball metaphors right.

All Rise (2019) s01e05 – Devotees in the Courthouse of Love

Nadia Gray’s back this episode, which is surprisingly distinguishing as Gray doesn’t make much impression other than everyone making fun of her name—Ria’s hard for them—and boyfriend Wilson Bethel’s general eye-rolling at her being a supermodel brand influencer. Of course, Bethel doesn’t really want to be dating her because he and Simone Missick are best friends who complete each other but just can’t get together at least until season two if they rush things, season three if they take their time. But the show’s ready for Gray to go now. The episode takes place on the courthouse’s annual Wedding Day, when there’s a big group wedding or some such thing. Gray’s all soft about getting married, Bethel’s not interested (he can’t even say he likes her because woke white guy still guy); plus he spends the entire episode almost flirting with defense attorney Lindsey Gort.

Over in Missick’s courtroom—the show finally addressed Bethel not being allowed to lawyer in Missick’s courtroom because they’re besties last episode; took them long enough—anyway, Missick’s got a nun trial. I’m not sure if nuns on trial is a lawyer show trope but it certainly seems like a lawyer show trope. Or when nuns show up in the hospital show. It’s a trope. If it’s not a trope now, it used to be a trope, when you kept tripping over Catholics on TV. You know, before the whole “our organization exists to protect and further child rape” thing, which “All Rise” never addresses because—deep down—the show’s not controversial.

And there’s no controversy this episode, other than Missick figuring out how bad the legal system screws poor people in dollars and cents and tries to fix it. Positive change we can all agree on, this week on “All Rise.” See, progressives aren’t going too fast, this week on “All Rise.”

The episode does give Marg Helgenberger an all-right scene—her best in the show so far, even if it passes Bechdel but only because Helgenberger’s queer—and Paul McCrane’s back. They don’t give McCrane much to do except be Judge Rocket Romano but it’s fine. It’s Paul McCrane.

Last episode J. Alex Brinson and Jessica Camacho got their chemistry in sync, this episode it’s Missick and assistant Ruthie Ann Miles. Quick refresh—Miles is the experience clerk who’s supposed to hate new SJW Black lady judge Missick but it turns out they work great together. They’ve been fun to watch since the first episode, but now they’re finally getting their rapport worked out.

“All Rise” isn’t on the most even ground but it’s getting to be solid ground.

Solid, uneven ground. Uneven, solid ground. Whichever means it’s basically all right and the performances carry it.

All Rise (2019) s01e04 – A View from the Bus

Todd Williams shows up for the first scene—he’s top-billed Simone Missick’s husband who’s been MIA most episodes—and gets her off to work. They still don’t have much chemistry together. Even if Missick and Wilson Bethel don’t have romantic chemistry together, they’ve got something. Missick and Williams haven’t got anything. They’re kind of ludicrously mismatched. Sure, the show hasn’t hit the guest star casting peaks of the pilot but it hasn’t been bad. Williams isn’t bad, but he’s not an inspired choice.

And him being an FBI agent is just kind of weird. Especially given how willing the show is to get “political,” but apparently the FBI is above reproach. It’s very weird.

The episode does near that inspired guest star casting—not in terms of name or experience, but quality—with defendant Jacob Gibson. He’s the college-going young Black man who still hangs out with his… urban friends and one of them killed someone then had Gibson drive away. The big deal of the first half of the episode is when judge Missick agrees to take the jury to the crime scene. Field trip! Only then there’s an active shooter situation and Missick’s got to worry about whether she prejudiced them because they’re worried it’s Gibson’s friends who were trying to intimidate the jury. Jessica Camacho’s Gibson’s lawyer so of course she’s worrying about it too. Suzanne Cryer’s the shockingly obviously racist district attorney who wants to humiliate Gibson before his conviction. It’s tense stuff, even pasteurized into CBS appropriate milk.

You can tell it doesn’t work right because J. Alex Brinson is hanging around Camacho and Gibson the whole time but he doesn’t actually get to reflect on how white people treat Black men they suspect of being dangerous, even though the episode opens with a “previously on” recapping bailiff Brinson getting cuffed up by the white sheriff deputies.

Meanwhile Bethel’s going up against previously established not corrupt but dirty cop Erin Cummings. He’s suspicious of her evidence and does a full investigation; strangely the show doesn’t bring up Cummings’s “support me because I’m a woman” thing she tried using on Missick a few episodes ago, which might not be standards and practices but the show just showing its lack of self-awareness. But Richard Brooks is back for a scene and it’s awesome to have Brooks back for a scene. It gives Bethel a lot to do and he’s great at it but you’re still sitting there thinking… that’s Bullseye, he can do a lot more.

At least the episode ends on a reassuring montage sequence and not another “let’s work together” speech from Brinson. And he and Camacho are getting cute together. It’s hard to see Brinson as cute, given he’s son of a bitch abusive cop husband Jeff from “Travelers” but it’s starting to work.

Scroll to Top