Ross Maxwell

Chilling Adventures of Sabrina (2018) s01e10 – The Witching Hour

Roberto Aguirre-Sacasa and Ross Maxwell co-write, sending off of “Sabrina”’s first season, with a deus ex machine of an episode where Michelle Gomez decides she’s been waiting too long for Kiernan Shipka to embrace the Dark Lord and it’s time to get drastic about things. If Gomez can’t sabotage Shipka’s friendships with mortals—in addition to the big action, Shipka also reconciles (enough) with boyfriend Ross Lynch and other friends Jaz Sinclair and Lachlan Watson embrace her immediately upon the big “I’m a Witch” conversation in the high school bathroom.

Incidentally, I don’t think the show’s writers know how to deal with telephones in general. Sinclair and Watson tell Shipka they’ve been calling her all weekend and apparently Shipka just hasn’t been answering… but they’d have to answer the phone at the house because it’s a mortuary and a business. Sure, they eat the bodies in the closed caskets, but it’s still a business.

Anyway, it’s a telling oversight. Same goes for astral projection, which was a huge no no in the first or second episode but now is literally how the witches check in with one another because they don’t have cellphones. Astral projection is the texting of “Sabrina” world.

Gomez brings back thirteen witches to destroy the town; the sequence where she brings them back is the only good use of the digital Vaseline filter in iMovie the series has done (and, sadly, not in all the shots), but it works because Gomez is flipping amazing in the scene. Just awesome.

So the witches are going to protect themselves and let the ghost witches eat the townsfolk and Shipka, along with Lucy Davis, Miranda Otto, and Chance Perdomo all decide they’re not going to let the mortals die, causing a rift between various parties. But the scene where Otto decides to play hero is pretty great. And Davis has some very nice stuff this episode, particularly with boss slash love interest Alessandro Juliani, who has been around for a while on the show but hasn’t made much impression apparently because I thought he was Taika Waititi.

Doesn’t matter. Nice stuff this episode.

Lynch and romantic rival Gavin Leatherwood team up to protect Lynch’s drunk-ass dad, while Sinclair and Watson protect Sinclair’s grandmother, L. Scott Caldwell, from the ghost witch attack. Throw in Shipka’s turn to the Dark Side of the Force—relatively speaking—Zelda kidnapping one of Richard Coyle’s newborns, Perdomo joining Coyle’s Jordan Peterson-esque like cult of male students, not to mention Gomez’s big reveal where she lays it all out to her captive audience.

Literally captive audience; she narratives the episode, from the beginning, like every episode is some tale she’s telling to her listener. As the episode progresses, we find out more and more about the listener, but we’re all in it together. Fantastic finish, fully delivering on all the promises of Gomez’s character throughout the season, including expectations from the comic. It’s very good.

In fact, everything’s so good it makes up for Shipka’s wanting arc. Once she gets the proverbial Force Lightning, she stops being the protagonist and becomes the subject of the show. Not a great place for the next season setup, though maybe it’d work better if they hadn’t wasted a couple minutes flashing back through the entire season when Shipka’s got to make her big choice. Instead of let her act the season, they let the clips do it for her. Not a good move.

But otherwise a successful end to a very successful season. Though I do hope they get Shipka back as show lead next season. They didn’t take it away from her—turning it into an ensemble—until the very end of the episode, but they’ve been moving in that direction for a while now. Fingers crossed for next season.

Chilling Adventures of Sabrina (2018) s01e03 – The Trial of Sabrina Spellman

No Roberto Aguirre-Sacasa script this episode, Ross Maxwell instead, which initially confirmed my idea about how the first two episodes were the extended pilot and now we’re getting into series proper.

Actually, no, because this episode serves to set the series up to be, you know, a series. The episode opens with teenage half-witch who denied the Dark Lord Kiernan Shipka running out of principal and temporarily possessed by said Dark Lord Bronson Pinchot’s office and bumping into teacher Michelle Gomez, who’s also possessed—unknown to Shipka—by a demon in the Dark Lord’s employ. Their goal? Get Shipka to sign her soul over to the Dark Lord.

Then Shipka goes off and has flashbacks about the event, which occurred at the end of last episode. Like we didn’t just stream it. “Sabrina” seems like it was intended as a weekly show. Possibly with a two hour pilot episode. Meaning Aguirre-Sacasa left it up to Maxwell to get “Sabrina” from pilot to series, meaning a resolve to what came before while still allowing for an interesting future. So a trial.

Where Dark Pope and not Ewan McGregor Richard Coyle is going to try Shipka for not signing her name in the book—she breached contract, implied by her wearing a wedding dress to her Dark Baptism—and Shipka has to convince human lawyer named Daniel Webster (John Rubinstein) to defend her in court. Witch court. Meanwhile her boyfriend, Ross Lynch, has to contend with a bullying father sending him to work in the mines, which would be unpleasant even if Lynch hadn’t wandered down into them and seen the Dark Lord once in childhood.

Then Shipka’s friend, Jaz Sinclair, has a subplot about discovering Pinchot’s soft-censoring books from the school library while Chance Perdomo has a romance arc with fetching, suspicious warlock Darren Mann. It’s a full episode, with yet another strong lead turn from Shipka. The supporting cast is all good too. Rubinstein does a lot with a guest spot, Gomez is fantastically evil… Lucy Davis is really good. The story even seems to be going in a direction Miranda Otto could work out.

I would just like the show to start now. Like, a full quarter turn at the end of next episode should be expected at this point; the show hasn’t had to settle in yet.

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