Roger Lloyd Pack

Doctor Who (2005) s02e06 – The Age of Steel

I had low expectations for this episode, given the first installment was so unimpressed; writer Tom MacRae and director Graeme Harper do not improve at all this episode. The perfunctory cliffhanger resolution does nothing to ratchet up any enthusiasm. The stakes are simple—the Cybermen are taking over this alternate universe and Billie Piper won’t let David Tennant wait it out in the TARDIS because Piper’s parents Camille Coduri and Shaun Dingwall are in danger.

Dad Dingwall works for evil mastermind Roger Lloyd Pack but did he know Lloyd Pack was really a bad guy who wanted to turn everyone into Cybermen? Tennant’s suspicious but Piper’s obstinate and disinterested in finding out the truth. She’s so annoying this episode. Tennant eventually goes to hang out with alternate Earth revolutionary Helen Griffin, leaving Piper with Dingwall. She starts annoying him pretty quick too.

Meanwhile, Noel Clarke is off learning how to be a revolutionary—his double is on a team with Griffin and Andrew Hayden-Smith—and finding himself and whatnot.

The episode reuses action beats from the show’s pilot, which is kind of… well, it’s sad, but it does have the potential for Piper to comment on it. She doesn’t, of course, because MacRae’s disposable (at best) script.

Clarke ends up with better scenes than anyone else as he has to save the world himself for once. Unfortunately, Clarke’s performance still isn’t very good but… the episode’s got a very low bar. Successfully turning Clarke into even a hero in his own mind is something.

What else… bad CGI? There’s some really bad CGI.

There’s also a fairly dark ending with Tennant having to torture a bunch of people. It seems like it’s going to be one of those sobering “Doctor Who” resolutions but somehow it’s not. Maybe because it’s an alternate universe. Maybe because it’s so insincere. Thanks to Tennant, who’s absurdly underused, season two of “Who” has been very sturdy, but MacRae and Harper seem likely to be names to dread going forward.

Doctor Who (2005) s02e05 – Rise of the Cybermen

The cold open of this episode looks pretty bad and the direction on the actors is terrible so I was just waiting to see it was Keith Boak. Then the opening titles rolled and I got a little hopeful upon seeing the writing credit—Tom MacRae, new guy (all the “Who” writers are guys so far), and the show’s done better with new writers than the regular one—then it turned out not to be Boak, but Graeme Harper. Harper and MacRae both being “Who” newbies.

Harper’s direction is fairly bad, with the show once again looking like it’s a soap opera at best. Poor cinematographer Ernest Vincze, who shoots all(?) of the episodes, yet sometimes outside his control it all looks bad.

It’s an alternate universe adventure with David Tennant trying and failing to keep Billie Piper from hunting down alternate universe dad Shaun Dingwall—it’s incredible what a bad character Piper’s become this season. She nearly broke the universe last time she went after Dingwall. Did she learn anything? Nope.

Then there’s Noel Clarke, who’s sad Tennant doesn’t like him more. There’s this whole thing about Tennant only caring about Piper and not even being interested in Clarke’s (unknown before this episode) backstory involving grandmother Mona Hammond, who died in the regular universe. But the show’s established Piper thought she and Tennant were romantically involved or at least interested so what does she want him to do with Clarke? It’s just bad writing, with the bad production values hurting things even more.

Though I guess it’s obvious the episode doesn’t know much show canon because when we find out Clarke’s alter ego is named “Ricky” instead of “Mickey,” no one remembers how Christopher Eccleston called him “Ricky” last season. It’s this great setup and then does nothing.

The villains this episode are the Cybermen, who are back from the original series, only this time they’re run by brilliant megalomaniac businessman Roger Lloyd Pack who wants to be immortal. Lloyd Pack is extremely bad. Like. Extremely.

Towards the end of the episode it appears he’s doing an impression of Sidney Greenstreet in Maltese Falcon but apparently without coordinating with director Harper.

It’s a slog of an episode. So much of one a particularly annoying Camille Coduri doesn’t even rate mention.

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