The cold open of this episode looks pretty bad and the direction on the actors is terrible so I was just waiting to see it was Keith Boak. Then the opening titles rolled and I got a little hopeful upon seeing the writing credit—Tom MacRae, new guy (all the “Who” writers are guys so far), and the show’s done better with new writers than the regular one—then it turned out not to be Boak, but Graeme Harper. Harper and MacRae both being “Who” newbies.
Harper’s direction is fairly bad, with the show once again looking like it’s a soap opera at best. Poor cinematographer Ernest Vincze, who shoots all(?) of the episodes, yet sometimes outside his control it all looks bad.
It’s an alternate universe adventure with David Tennant trying and failing to keep Billie Piper from hunting down alternate universe dad Shaun Dingwall—it’s incredible what a bad character Piper’s become this season. She nearly broke the universe last time she went after Dingwall. Did she learn anything? Nope.
Then there’s Noel Clarke, who’s sad Tennant doesn’t like him more. There’s this whole thing about Tennant only caring about Piper and not even being interested in Clarke’s (unknown before this episode) backstory involving grandmother Mona Hammond, who died in the regular universe. But the show’s established Piper thought she and Tennant were romantically involved or at least interested so what does she want him to do with Clarke? It’s just bad writing, with the bad production values hurting things even more.
Though I guess it’s obvious the episode doesn’t know much show canon because when we find out Clarke’s alter ego is named “Ricky” instead of “Mickey,” no one remembers how Christopher Eccleston called him “Ricky” last season. It’s this great setup and then does nothing.
The villains this episode are the Cybermen, who are back from the original series, only this time they’re run by brilliant megalomaniac businessman Roger Lloyd Pack who wants to be immortal. Lloyd Pack is extremely bad. Like. Extremely.
Towards the end of the episode it appears he’s doing an impression of Sidney Greenstreet in Maltese Falcon but apparently without coordinating with director Harper.
It’s a slog of an episode. So much of one a particularly annoying Camille Coduri doesn’t even rate mention.