Pinto Colvig

Pluto’s Christmas Tree (1952, Jack Hannah)

Pluto’s Christmas Tree gets off to a somewhat rocky start; it turns out, the animators spend more time on one nut than they do on Mickey Mouse. Besides looking perpetually hung over, Mickey’s also very loosely drawn.

However, Tree soon picks up because Hannah’s direction is inspired and the animators excel on everything (except Mickey). Chip and Dale are hiding in Mickey and Pluto’s Christmas tree, annoying Pluto, but also giving the viewer a look at a Christmas tree from inside out.

Hannah creates, in six minutes or so, a truly lovely little Christmas cartoon. Besides the lovely tree interiors, there are a bunch of great gags for the chipmunks and Pluto.

Even the sappy ending works out well, maybe because Hannah ends Tree with a gag (and starts the sappy ending with one).

I remembered it immediately, once the tree interiors started; the visuals are incredibly striking, incredibly memorable.



Directed by Jack Hannah; written by Bill Berg and Milt Schaffer; animated by Volus Jones, Bill Justice, George Kreisl and Fred Moore; music by Joseph Dubin; produced by Walt Disney; released by RKO Radio Pictures.

Starring Ruth Clifford (Minnie Mouse), Pinto Colvig (Pluto / Goofy), Dessie Flynn (Dale), James MacDonald (Mickey Mouse / Chip) and Clarence Nash (Donald Duck).

Food for Feudin’ (1950, Charles A. Nichols)

Food for Feudin’ has some really strong animation, but also some weak. There’s a great sequence where Chip and Dale crawl into these gardening gloves and confuse the heck out of Pluto. During that sequence, the animation is spectacular. Earlier, when the chipmunks are gathering nuts… not so spectacular.

The cartoon isn’t particularly charming during that first sequence. Once the gloves come on, however, things get a lot better. It’s too bad Nichols forgets the landscape and moves Pluto’s doghouse from offscreen right to offscreen left. It sends the cartoon out on a technical weak note.

Some of the problem is the reliance on the chipmunks at the beginning. Dale’s dumb but Chip’s a bit of a jerk and a bully. They’re not fun to spend time with in Feudin’. Pluto’s growing presence helps.

So Food for Feudin’ is basically half a good cartoon; that glove sequence is really memorable.

1/3Not Recommended


Directed by Charles A. Nichols; written by Milt Schaffer and Dick Kinney; animated by George Kreisl, George Nicholas and Judge Whitaker; music by Paul J. Smith; produced by Walt Disney; released by RKO Radio Pictures.

Starring Pinto Colvig (Pluto), Dessie Flynn (Dale) and James MacDonald (Chip).

Lonesome Ghosts (1937, Burt Gillett)

The animation in Lonesome Ghosts is so exquisite, it seems impossible the narrative could screw it up. Though, when the cartoon moves into a haunted house from this amazing outdoor scene, I suppose the possibility is there.

The cartoon is Mickey, Donald and Goofy as ghost hunters. They run into trouble with these four ghosts—who are strangely androgynous—and the problems arise from the protagonists getting a fair split of screen time.

Mickey has a fine encounter, but then Donald’s isn’t just short… it’s dumb. The animation is still great—maybe even better in Donald’s section—but the content is so tedious, the cartoon takes a severe quality dip.

But nothing could prepare for the tediousness of the Goofy segment. It’s not just stupid, it’s lazy. Worse, it’s the longest of the three segments.

After Goofy’s done, there’s really no way for Ghosts to recover.

Still, the animation’s glorious….

1/3Not Recommended


Directed by Burt Gillett; written by Dick Friel; animated by Art Babbitt, Rex Cox, Clyde Geronimi, Dick Huemer, Milt Kahl, Isadore Klein, Ed Love, Bob Wickersham, Dick Williams, Don Williams and Marvin Woodward; music by Albert Hay Malotte; produced by Walt Disney; released by RKO Radio Pictures.

Starring Walt Disney (Mickey Mouse), Clarence Nash (Donald Duck), Billy Bletcher (Short Ghost) and Pinto Colvig (Goofy).

Conrad the Sailor (1942, Chuck Jones)

I wasn’t sure what I was going to say about Conrad the Sailor when it started. It seemed pretty simple–Conrad is a lame cat sailor and Daffy Duck makes fun of him. It was a simple case of Daffy being a bully.

Maybe I could have done something about how cartoon icons are often callous and cruel.

Then Conrad escalates the situation and starts trying to kill Daffy. Daffy, while a jerk, was never insane and murderous. He was a jerk.

The role change makes Conrad the Sailor a little more interesting than its content.

As a cartoon, it’s decent. There’s a nice swaying of the ship in the opening titles. There’s a good gag with the ship’s captain coming through (until the final time Jones uses it–as a finishing gag–and it’s too little).

Besides being interesting and mildly amusing, Conrad doesn’t make much of an impression.



Directed by Chuck Jones; written by Dave Monahan; animated by Ben Washam and Ken Harris; edited by Treg Brown; music by Carl W. Stalling; produced by Leon Schlesinger; released by Warner Bros.

Starring Mel Blanc (Daffy Duck) and Pinto Colvig (Conrad Cat).


Scroll to Top