There are some weird optics to P.C. World. You’ve got Ted Danson, who just six years earlier burned out due to a really bad public blackface incident and is coming back with this “Becker” show, reformed. Now, Danson’s gone on to be one of the least problematic Hollywood liberals and a damn fine actor, but in 1999… Danson getting to aha an East Coast liberal type (Robert Joy) on the radio? It was optics.
See, Joy was at Danson’s breakfast place and heard Danson yelling about how he hates rap music, making fun of Alex Désert’s blindness and possibly through in a Black jab (related to the rap music?), and saying “you people” to the Asian American guy (Phil Nee) who has just hit Danson’s bar. Now, we all know it’s okay because Danson’s not racist, he’s just an exceptional asshole. It would probably would better if writer Michael Markowitz’s rants were better or Jeff Melman’s direction was better. Markowitz also appears as the radio show host interviewing Danson and Joy. He’s more fun as an actor.
Then there’s this whole subplot about Hattie Winston being okay with Shawnee Smith selling cosmetics from the doctor’s office because Smith’s got the skin care secrets now. I’d think there’d be some kind of ethical violation, patients rights or something, especially since Smith’s doing it in one of those direct selling pyramid schemes. The subplot gives Smith one of her biggest focuses in the series so far, but it’s not a good subplot. It’s not a good focus. She’s fine, but she’s just being silly—as she becomes the make-up “dealer”—not funny or even good. It’s a waste of a subplot. Versus the waste of a main plot.
“Becker” had shown some major improvements the previous couple of episodes, but this episode learned none of their positive lessons. The misanthropy vs. bigotry thing ends up being a cop out, which is weird since the best scene in the episode is when Black man Earl Billings stops going to doctor Danson because of Danson’s bravado.
It’s like someone said, hey, maybe let’s take this seriously. And then someone else said, no, let’s have Danson stick it to the performative liberal.