From the title A Very Harold & Kumar 3D Christmas sounds like a TV special, not a 3D movie extravaganza and director Strauss-Schulson feels the need to prove it every four minutes or so. Harold & Kumar often has pointless (if occasionally amazing) 3D set-pieces but they eventually stop.
They stop after writers Jon Hurwitz and Hayden Schlossberg find their footing. There’s a big concept to Harold & Kumar this time and it shows why one of these movies should never, ever have a big concept.
But Hurwitz and Schlossberg, during all that problematic plotting, still come up with some hilarious jokes. For the first fifteen minutes, though, many of those jokes fall flat.
The returning love interests make the movie drag. Danneel Harris is incompetent (because she has nothing to do) but Paula Garcés just isn’t funny. She’s got Danny Trejo as her dad, which is hilarious, and she brings nothing to it.
Staying with the acting, Amir Blumenfeld and Tom Lennon are lacking as the new sidekicks. Blumenfeld’s just flat but Lennon misses a bunch of jokes. He brings no edge to it.
Elsewhere in the supporting cast, Elias Koteas is great (but he’s in the wrong movie) and Neil Patrick Harris is, unfortunately, showing his exhaustion.
John Cho and Kal Penn are still both great and they sell the movie’s buddy franchise comedy message.
Oddly, Harold & Kumar not really a Christmas movie, even though it advertises itself as such.
But who cares? It’s hilarious enough of the time.
Directed by Todd Strauss-Schulson; written by Jon Hurwitz and Hayden Schlossberg; director of photography, Michael Barrett; edited by Eric Kissack; music by William Ross; production designer, Rusty Smith; produced by Greg Shapiro; released by Warner Bros.
Starring John Cho (Harold), Kal Penn (Kumar), Tom Lennon (Todd), Danny Trejo (Mr. Perez), Amir Blumenfeld (Adrian), Paula Garcés (Maria), Elias Koteas (Mary’s dad), Danneel Harris (Vanessa), Eddie Kaye Thomas (Rosenberg), David Krumholtz (Goldstein) and Neil Patrick Harris as Neil Patrick Harris.