Nathan Fox

The Weatherman (2019) #1

The Weatherman  2019  1

I read the first Weatherman series because Nathan Fox having a steady gig seemed like it was worth seeing. And the series was fine… I didn’t even remember it ended on a cliffhanger though. This second volume continues the action as mind-wiped former interplanetary terrorist turned weatherman turned fugitive (so he was mind-wiped out of being the terrorist into the weatherman, who got found out and became a fugitive) and his Scooby gang head to Earth to try to unlock the terrorist memories in order to stop the other terrorists.

This issue’s all establishing; writer Jody LeHeup shows how Earth is doing—where people are still stranded with an incredibly lethal virus, which will get them someday soon if the rest of the humans living off planet done kill the survivors off first so they can get the real estate back (Weatherman’s cynicism is on point)—and how things are going on the Weatherman’s mission. He’s pissing off the rest of the gang while still trying and failing to flirt with the secret agent woman who first found him and is basically his love interest. At least fits that role’s spot in the narrative, whether or not they’re actually getting together is besides the point.

There’s a lot of exposition, a lot of hints at future personal conflict (one crew member’s tattoo pisses off another crew member for some reason), all while there’s the time crunch with the terrorists still out there and then political intrigue as the solar system female president doesn’t want to kill off all the Earthlings without trying to save them but the white men don’t care about trying to save them.

It’s… all right. Kind of a lackluster return for the series, which hasn’t got any exposition for anyone starting here—you’ve got to be versed in the previous volume not just for information but also for investment. There’s no reason to read Volume Two if you aren’t invested from before.

Fox’s art is good. A tad restricted. Probably not enough on its own to keep the interest up for the series. Especially not since it seems a little too streamlined here. It’s not interesting on its own.

If Weatherman Volume Two #2 were sitting here, I’d read it. But probably not if I had to reach for it. It’s perfectly fine.

Just… not exciting at all.

Captain Victory and the Galactic Rangers 6 (March 2015)

Captain Victory and the Galactic Rangers #6I wish Joe Casey loved Jack Kirby a little less. Captain Victory ends with the origin of Captain Victory (as the young version sees it unfold). What’s it like? Well, there are nods to Darkseid, the New Gods, probably something from Marvel, whatever. It’s a bunch of Kirby homage and it’s all in summary and none of it’s in scene.

There are eight guest artists doing this history section and it’s disconcerting. It never lets the issue find of good visual vibe because Fox is back on the space ship and not doing much in the series’s actual settings. Well, there’s one great shot of the World Trade Center.

Is it a good finish to the series?

Not at all. Everything goes toward the homage aspect. Casey doesn’t care about any of his characters.

Is it a good Kirby homage?

Doubt it; he’d probably prefer people get a good read.

CREDITS

Writer, Joe Casey; artists, Nathan Fox and friends; colorist, Brad Simpson; letterer, Simon Bowland; editors, Molly Mahan, Hannah Elder and Joseph Rybandt; publisher, Dynamite Entertainment.

Captain Victory and the Galactic Rangers 5 (February 2015)

Captain Victory and the Galactic Rangers #5Connor Willumsen contributes maybe four pages to this issue of Captain Victory and, wow, it really doesn’t help the comic. The comic’s all right–it starts sci-fi heavy (something about Fox’s art doesn’t match the Kirby designs in the denser areas)–and the main action in New York City is great. Except when it’s Willumsen’s pages. He draws cute.

The issue has the young Victory clone and his vigilante mentor fighting an evil pig monster. Willumsen draws the pig monster cute. He also draws young Captain Victory cute. Well, more than cute. Pretty. Willumsen draws Victory as a pretty teenage girl with a short hair cut. It’s really, really weird.

But Fox is back soon enough and he and Casey do all right. The issue ends with a lot of alien tech art and not a lot of story. It’s not a good cliffhanger. But the rest works out.

CREDITS

Writer, Joe Casey; artists, Nathan Fox and Connor Willumsen; colorist, Brad Simpson; letterer, Simon Bowland; editors, Molly Mahan, Hannah Elder and Joseph Rybandt; publisher, Dynamite Entertainment.

Captain Victory and the Galactic Rangers 4 (January 2015)

Captain Victory and the Galactic Rangers #4Fox gets to do a lot on the art. There’s a lot of drama to the Earth stuff; between it and the adventures of the barbaric Captain Victory taking down a big monster, Fox gets to shine. Less, of course, with the subplot involving the guys on the ship. It’s really annoying this issue, with Casey desperately filling their dialogue with expository details.

Once things get moving, then get to the Benjamin Marra-illustrated flashback to Captain Victory as a boy (it’s a huge, wonderful Kirby homage but with an absurdly tough mentor ranger narrating), the issue just clicks.

Casey introduces a great subplot to the Earth stuff too, with the scientists creating a monster. In some ways, Captain Victory is too much going on at once and there’s never a chance to lock on any of the characters. In other ways, it’s smartly done fluff (with dashes of content).

CREDITS

Writer, Joe Casey; artists, Nathan Fox and Benjamin Marra; colorist, Brad Simpson; letterer, Simon Bowland; editors, Molly Mahan, Hannah Elder and Joseph Rybandt; publisher, Dynamite Entertainment.

Hawken: Melee 5 (January 2014)

Hawken v2 Melee 005 1So I guess–or I know, based on all the ads–Hawken: Melee is based on a video game. It’s apparently some kind of first person shooter in a mech. So, Battletech, right? Everything mech is Battletech, everything mech is Robot Jox. I know, I know, it’s not.

But I’m guessing Nathan Fox got to come up with his own characters and situation. It’s a future dystopia where some girl has to save the slightly dimwitted guy she’s dating by fighting bad guys and getting in mechs and saving the day with her brains.

Oddly, the story has more promise than Fox delivers because the protagonist is strong. He focuses on the action, which proves a mistake because he’s not really putting a lot of work into it. There are almost always white backgrounds with the action up front.

It’s fine. Fox has some good panels but not enough.

C+ 

CREDITS

Gadget; writer and artist, Nathan Fox; colorist, Michael Spicer; letterer, Deron Bennett; editor, Mike Kennedy; publisher, Archaia Black Label.

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