Laurence Fuller

Echoes of You (2018, Henry Quilici)

About halfway through, Echoes of You gets after-school special cringy, which seems like it’s too bad because at least before—despite being this Dickensian tale of classical pianist employed as a theatre custodian (Laurence Fuller) who befriends the street urchin living out back (Zakary Risinger) through the magic of music—at least it’s well-executed. I mean, basically. Multi-hyphenate director Quilici’s editing is excellent. It doesn’t matter Risinger can’t act and Jesse Aragon’s middling but competent photography lacks any character. And then there’s how Quilici doesn’t direct for the performances but paces it like he wants the performances to be the big thing. So you’ve got Fuller pensively doing everything at work as he dreams of playing professionally but it just kills time. It doesn’t build anything with Fuller’s performance. There’s no character development in Echoes. In fact, it turns out there’s inertia beyond the suspension of disbelief.

Because it turns out Echoes is not an after-school special about Fuller helping Risinger and how Risinger’s life is changed—Fuller feeds Risinger, including some soup in a peculiar “just make a Campbell’s commercial” moment, and teaches him (in four days or so based on the short’s internal calendar) to play piano—but it’s all about Fuller. Fuller monologues about how he wanted to play this original piece (the titular Echoes of You, which sounds a lot like the “Downton Abbey” theme… enough you want to watch some “Downton” frankly) for his now dead dad. Because sad Fuller is worse off than kid living on the streets with a junkie mom Risinger. There’s a last act reveal to kind of cushion it but… not in any way to make Fuller any better of a human being. If Echoes weren’t tritely aspirational in another, jaw-dropping, and predictable way in the third act, the short might get away with the lack of any development on Fuller but….

No.

Fuller’s all right. He’s got some really good moments; if it were an after-school special, he’d have been able to crossover to nighttime dramas… but it’s not an after-school special. And for a short film, where he’s the protagonist, it’d have been nice if the director had some ideas for showcasing his performance.

Risinger’s a nope. Who knows if better direction would’ve helped. Better writing certainly would have.

I wasn’t expecting a lot out of Echoes of You but I was at least expecting it not to be so stunningly trite. It seemed too competently produced to be so pointless.

1/3Not Recommended

CREDITS

Written, produced, directed by Henry Quilici; director of photography, Jesse Aragon; music by Max Quilici; produced by Henry Quilici and John Lapin; released by Omeleto.

Starring Laurence Fuller (Andrew) and Zakary Risinger (Christopher).


Lovers Jump (2010, Mark McCombe)

What’s interesting about short films—when they’re doing straight narratives—is how much they can get away with. Lovers Jump is basically the final scene in a feature. Jenny Wong’s script is nice because there’s not much expository dialogue to explain anything—it all flows naturally. And then the end is the kick and it’s great.

There’s no way McCombe could have pulled it off if the film were a second longer. McCombe’s composition is fantastic, as is his use of Rich Keyworth’s music. The only technical problems is some mismatched background noise between a couple cuts.

The other important component is the acting. Laurence Fuller and Holly Clark both give solid performances. Fuller has the showier part and he has a slip or two, but makes it work.

I don’t need to see the rest of the feature, Lovers Jump is enough. I mean that statement as a compliment.

2/3Recommended

CREDITS

Directed and edited by Mark McCombe; written by Jenny Wong; director of photography, Jan Daube; music by Rich Keyworth; produced by McCombe, Wong and James Jacob.

Starring Laurence Fuller (Peter) and Holly Clark (Aunt Sandra).


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