Larry Lieber

Adventure Into Fear 13 (April 1973)

Adventure Into Fear #13Oh, very good news–Val Mayerik is on the pencils (with Frank Bolle in inks). From the first couple pages of Man-Thing, it's clear the art is going to be a lot better. It shouldn't be particularly obvious, as it's a Man-Thing story and Mayerik doesn't illustrate him until later in the story but the way Mayerik draws the supporting cast is enough to show things have turned around.

Gerber fleshes out that supporting cast more here, he shows how the local girl is somehow linked to Man-Thing, for instance. But he's also got a better grip on how to write Man-Thing himself. While Gerber does fall back on Man-Thing's human side getting dialogue, the sequence is effective and doesn't seem forced.

Maybe because it's in the second act, not the third. Anyway, good feature.

The sixties backup has indistinct Gene Colan art. The Lieber and Lee story's distinctively crappy though.



Man-Thing, Where Worlds Collide!; writer, Steve Gerber; penciller, Val Mayerik; inker, Frank Bolle; colorist, Ben Hunt; letterer, Artie Simek. Mister Black; writers, Stan Lee and Larry Lieber; artist, Gene Colan. Editors, Lee and Roy Thomas; publisher, Marvel Comics.

Adventure into Fear 10 (October 1972)

Adventure into Fear #10Of the three stories this issue–the first two are original, the third is a sixties reprint–Man-Thing is the easy winner. The other two aren't any competition.

The reprint is a Stan Lee and Larry Lieber (probably) written tale of greed. Don Heck gets some moody art in, but nothing particularly good. The writing's lame.

Ditto for the second story, which is sort of a tale of greed. Bugsy Malone versus pirates. Allyn Brodsky's script is terrible. Jack Katz and Bill Everett contribute indistinct art.

But as for Man-Thing… the art, from Howard Chaykin and Gray Morrow, is pretty good. And Gerry Conway's script has a couple moments. Not enough, but a couple. The problem seems to be his pacing. He front loads the story setting up Man-Thing and then doesn't have enough room for a good finish. It's creepier with the bad finish… maybe Conway intended that reading of it.



Man-Thing; writer, Gerry Conway; penciller, Howard Chaykin; inker, Gray Morrow. The Spell of the Sea Witch; writer, Allyn Brodsky; penciller, Jack Katz; inker, Bill Everett. There Is Something Strange About Mister Jones; writers, Stan Lee and Larry Lieber; artist, Don Heck. Letterer, Artie Simek; editor, Roy Thomas; publisher, Marvel Comics.

The Further Adventures of Indiana Jones 19 (July 1984)

22351Let me tell you a story about how this issue of Indiana Jones came to be. It’s not true, but it’s far more amusing than the comic book itself.

So, once upon a time, the LucasFilm licensing person–who probably had other duties in addition to overseeing Marvel Comics adaptations–quit… or went on leave… or vacation. Marvel took advantage of that absence to push out this filler issue, written and pencilled by Larry Lieber.

Now, maybe Lieber really liked Raiders or something, but he sure doesn’t know how to write the dang character. Larry Lieber writes Indiana Jones–not just from Indiana (see, the LucasFilm licensing person would have caught that one) but a racist. He’s racist. It’s amazing. Larry Lieber writes Indiana Jones as a racist who mocks indigenous peoples and cultures.

The Japanese villains–Lieber also ignored Japan’s war against China in the thirties–come off better.


Dragon by the Tail!!; writer and penciller, Larry Lieber; inkers, Jack Abel and Vince Colletta; colorist, Rob Carosella; letterer, Rick Parker; editor, Eliot Brown; publisher, Marvel Comics.

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