Kathleen York

All Rise (2019) s01e12 – What the Constitution Greens to Me

This episode of “All Rise”—the first after hiatus—seems like a return to form. At least as much form as “All Rise” has ever had; in terms of guest stars, it means the pilot. “All Rise”’s guest star caliber has dropped since then. Not anymore. This episode doesn’t just have Peter MacNicol as a “I know racism is real, but unconscious racism… not sure about that business” judge colleague of Simone Missick’s who’s presiding over Wilson Bethel’s case. Missick’s got a “bonding with the other judges” subplot she’s going to be doing post-hiatus, with MacNicol her first new pal. He’s good at it and able to navigate the character’s inherent queasiness well. The part leverages MacNicol’s likability, which CBS no doubt remembers from when he was on “Numb3rs” for years.

Speaking of “Numb3rs,” Alimi Ballard shows up this episode too. He’s a Black dad whose wife died because of doctor John Billingsley’s obviously racially motivated neglect. There’s no reuniting with MacNicol—I can’t even remember if they share a shot together, probably not given episode director Steve Robin’s penchant for close-ups—which is fine. Ballard’s… not great. He’s okay. But they could’ve casted the part better.

“All Rise” has never reminded me of “Numb3rs,” instead I always think of it as taking place in the “Major Crimes” universe where cops and DAs aren’t bigots and racists, and also because Tony Denison pops up from time to time as Bethel’s dad. Denison’s back for a scene and not a great one, but then they also bring on “Major Crimes” vet Graham Patrick Martin as an annoying young white guy (Martin’s only note) who wants to commit environmental terrorism to get back at Republican senator mom Kathleen York. Their case is in Missick’s courtroom—she has to consult MacNicol because she’s now worried Marg Helgenberger might be corrupt—and… well, Martin hasn’t improved since “Crimes” ended. He’s got less to do so he’s less annoying. The case only really stands out because Patrick Duffy plays Martin’s ecoterrorism mentor and Duffy is freaking awesome. It’s an exaggerated cameo but who knew we got to the point where Patrick Duffy was going to be one of the best actors on a nighttime drama.

The show does all right with its buzzy topics—unconscious bias, corrupt politicians—at least until Bethel lets Billingsley’s doctor spout a bunch of stereotypes about Black women’s medical conditions without a rebuttal witness. “All Rise” is very fast and loose with its courtroom stuff. We get to see Bethel’s closing argument but not the defense’s. It’s kind of annoying but also okay because the show shouldn’t aim too high. It still doesn’t have good banter between best buds Missick and Bethel, even though they’re good together.

Lots of beach scenes this episode. The show’s also going to be playing up its L.A. setting now?

Much like “Major Crimes” (and “Numb3rs” for that matter), you wish the better actors were in better productions but it’s nice to see Missick and Bethel have a steady gig. I enjoyed watching this episode a lot more than the last… I don’t know, five or six of them. Jessica Camacho and J. Alex Brinson are back to being cute, which gets cloying but at least they don’t have bad arcs.

It’s fine. Hopefully they maintain this better balance through the rest of the season.

Darkman (1992, Brian Grant)

It’s kind of sad “Darkman” didn’t get a series order. Not because it’s good, but because it’s so laughably bad. One can almost hear director Grant telling lead Christopher Bowen to be more British.

But this “Darkman” pilot doesn’t exactly seem like a pilot. There are only five characters–Bowen, Larry Drake reprising from the movie (with a total of three or four lines) and Kathleen York as the last honest cop. She’s real bad. But she’s nowhere near as bad as the stuff with the uncredited homeless black kid who finds his way into Darkman’s cold British heart.

It’s short and there’s a bunch of footage from the movie, almost enough one might do better to think of this “Darkman” as sizzle reel for what would have been a truly horrendous television show. Terrible writing from Robert Eisele too.

Big Burton Batman rip-offs.

“Darkman” is incompetent and bad.

1/3Not Recommended

CREDITS

Directed by Brian Grant; screenplay by Robert Eisele, based on characters created by Sam Raimi; produced by David Roessell.

Starring Christopher Bowen (Peyton), Larry Drake (Robert G. Durant) and Kathleen York (Jenny).


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