Tag: Judy Davis
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During High Tide’s final twist, I began to wonder just how different the film would be with different music. Sometimes Peter Best’s score is fine—or even good—sometimes it’s very much a product of its time and using way too much saxophone. The film’s biggest melodrama beat, where it commits to just being a melodrama about…
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Not noir noir about architect Richard Moir discovering there might be something shady about the shady property developers he’s designing for. He teams up with community organizer (and initial foe) Judy Davis to figure out what’s going on. The occasional extreme stylizing is fine but not as impressive as how fast director Noyce keeps the…
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Boiling them down, three things ruin Blood and Wine. Stephen Dorff, the script and the approach. The last two are complicated, because it’s hard to see determine where the script and the approach differ. Blood and Wine was, at the time of its release, promoted as the conclusion of an informal trilogy for Rafelson and…
