José Saramago

Enemy (2013, Denis Villeneuve)

Enemy opens with an incredibly cruel and unpleasant scene. It's almost like a dare to the viewer to keep going. The film only runs ninety minutes and the first thirty or so minutes is summary. Sort of. Director Villeneuve and screenwriter Javier Gullón spend this first third encouraging the viewer to guess where Enemy is going. As it turns out, that invitation is the film's only red herring–amid the litany of implied ones.

The film concerns an unhappy college lecturer (Jake Gyllenhaal), who happens to find he has a doppelgänger in an actor. Gyllenhaal's discontent has already driven his girlfriend (Mélanie Laurent) away; he fixates on this doppelgänger. The investigation is both Hitchcockian and not. Describing Villeneuve's style, which has as much to do with the sterile Toronto setting as it does anything else, is difficult and probably not particularly useful. It's exceptional filmmaking, but Enemy moves so fast, Villeneuve doesn't want the viewer to linger. Not because there are problems, but because lingering distracts from the film's purpose.

Once Gyllenhaal confronts the doppelgänger, the film's focus flips. Not to Gyllenhaal in the other role, but to Sarah Gadon as the doppelgänger's wife.

While Gyllenhaal is fantastic, Gadon is even better. The film never explains itself, but all of Gadon's thoughts and suspicions are discernible. Her expressiveness guides the viewer through the film.

The music from Danny Bensi and Saunder Jurriaans, Nicolas Bolduc's photography, Matthew Hannam's editing, it's all great.

Villeneuve, Gyllenhaal, Gadon, Gullón–they make something very special here.

4/4★★★★

CREDITS

Directed by Denis Villeneuve; screenplay by Javier Gullón, based on a novel by José Saramago; director of photography, Nicolas Bolduc; edited by Matthew Hannam; music by Danny Bensi and Saunder Jurriaans; production designer, Patrice Vermette; produced by M.A. Faura and Niv Fichman; released by Entertainment One.

Starring Jake Gyllenhaal (Adam + Anthony), Mélanie Laurent (Mary), Sarah Gadon (Helen) and Isabella Rossellini (Mother).


Blindness (2008, Fernando Meirelles)

Maybe there’s a longer version of Blindness where they explain what happens to all the cast members who fall away from the film. Or what happens to them while the film’s busy on other stuff—like Danny Glover, who disappears for a large portion of the film, only to return in an integral part at the end.

Poor Mpho Koaho ingloriously disappears after being in the film from the first few minutes. I guess it’s all right—Glover’s good, Koaho isn’t. The film, which is in an unnamed city (which looks suspiciously Canadian—it filmed in Toronto), has some vague bureaucracy at the beginning (again, it seems very Canadian) but it soon descends into a weak Lord of the Flies with the blind instead of stranded kids. Leader of the bad guys are Gael García Bernal and Maury Chaykin. All the other bad guys, we later learn, as Hispanic males. All the good guys (the men, at least)… white or black. I’m not sure if the filmmakers realized it.

Bernal is laughably bad. Chaykin is at least mildly competent.

The lead is ostensibly Julianne Moore, the only seeing person in the world of the blind. Screenwriter Don McKellar (seemingly intentionally) writes in caricatures and makes Moore’s character ludicrously passive.

Due to McKellar’s weak writing, second-billed Mark Ruffalo gives a mediocre performance. Alice Braga is okay; the best performance is easily Kimura Yoshino.

Meirelles’s direction is unimpressive and obvious, like the film itself….

It’s not terrible, just pointless and boring.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Fernando Meirelles; screenplay by Don McKellar, based on a novel by José Saramago; director of photography, César Charlone; edited by Daniel Rezende; music by Marco Antônio Guimarães; production designers, Matthew Davies and Tulé Peak; produced by Andrea Barata Ribeiro, Niv Fichman and Sonoko Sakai; released by Miramax Films.

Starring Julianne Moore (Doctor’s Wife), Mark Ruffalo (Doctor), Danny Glover (Man with Black Eye Patch), Gael García Bernal (King of Ward 3), Maury Chaykin (Accountant), Alice Braga (Woman with Dark Glasses), Mpho Koaho (Pharmacist’s Assistant), Iseya Yûsuke (First Blind Man), Kimura Yoshino (First Blind Man’s Wife), Mitchell Nye (Boy) and Don McKellar (Thief).


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