Jae Lee

Before Watchmen: Ozymandias 6 (April 2013)

901238So Adrian has constant video surveillance of Dr. Manhattan but he gets important news from the newspaper? Shouldn’t he have agents or spies or… own a newspaper?

I’m being too kind. I mean, if one assumes the finished scripts represent edited versions of Wein’s original draftings–assuming this situation might be a stretch, given the terrible editing on this series–I can’t imagine how bad Wein’s first drafts must read. How exceptionally insipid.

After suffering through five issues of this tripe, all Wein does with the last issue is do scenes of things Alan Moore summarized in the original series. The content’s no different.

Even as a cash grab, Ozymandias makes no sense. It’s mind-numbingly dumb and even one likes Jae Lee’s art, it’s not like Wein gives him much good to draw.

I’m left without anything nice to say about this comic. Even the last page is atrocious.

CREDITS

Nothing Beside Remains; writer, Len Wein; artist, Jae Lee; colorist, June Chung; letterer, John Workman; editors, Mark Doyle, Camilla Zhang and Will Dennis; publisher, DC Comics.

Before Watchmen: Ozymandias 5 (March 2013)

894352A few issues ago, Wein did a bunch of foreshadowing of the eventual reveal in Watchmen–Adrian’s master plan. This issue he has Adrian trying to figure out that master plan, which means all the obvious details from before were just for the reader’s benefit.

Wein never can figure out how or when to make Adrian the smartest man in the world.

This issue covers the police riots, sadly not doing much more with them than the original series does, only with Lee’s too design-oriented view of New York. He sucks the personality out of it, though Adrian’s tropical island works out.

There’s also a lot of terrible dialogue from Adrian’s assistant. Wein writes these characters’ conversations like it’s a back and forth from Clerks. Surely he doesn’t think that film’s characters are examples of geniuses.

Who knows… It’s so close over so I find it hard to care.

CREDITS

These Lifeless Things…!; writer, Len Wein; artist, Jae Lee; colorist, June Chung; letterer, John Workman; editors, Mark Doyle, Camilla Zhang and Will Dennis; publisher, DC Comics.

Before Watchmen: Ozymandias 4 (January 2013)

884069Where to start… when Wein brings up Rorschach in 1960 but then later says he doesn’t show up until a few years later? I hope the editors didn’t get paid for this one in particular.

The only distinct thing in the comic is Wein’s handling of the Kennedys. Adrian’s very judgmental of them, but then turns around and tries to solve the assassination. In another of Wein’s dumb moves, Adrian can’t figure it out. Wein sets up everything for Adrian’s easy success; Adrian actually having to think would be a nice change.

The dead girlfriend pops up. Apparently she’s been haunting him. Wein never mentioned it before, as his characterization of Adrian is completely inept.

Some weak art from Lee. His rendering of Silk Spectre is the most memorably bad (and she’s only in the comic for two panels).

At least, the pirate backup’s worse than the feature this time.

CREDITS

Shattered Visage…!; writer, Len Wein; artist, Jae Lee; colorist, June Chung; letterer, John Workman. The Curse of the Crimson Corsair, Wide Were His Dragon Wings, Part Five; writer, artist and colorist, John Higgins; letterer, Sal Cipriano. Editors, Mark Doyle, Camilla Zhang and Will Dennis; publisher, DC Comics.

Before Watchmen: Ozymandias 3 (November 2012)

877076Len Wein has been writing comics for decades. He’s definitely an adult. Why does he write dialogue Yogi Bear would find infantile? Except the stuff with the Comedian making gay jokes about Adrian. Those comments read a little meta given Wein’s awkward handling of Adrian’s sex life.

Though Wein does write Eddie’s double entendres like he’s just seen his first “Dynasty.” Ozymandias is so poorly written, it’s occasionally embarrassing to read.

There are a few red herrings to kill time before Wein makes his big reveal–Adrian had the plan for Watchmen way back in 1959. Because he’s so smart. This series would have been better spent going through the books on Adrian’s shelves than Wein’s lame attempts at a narrative.

It’s awful.

However, Lee finally does find something he can draw. The scenes in Antarctica do look awesome.

And the pirate backup is once again better than the feature.

CREDITS

The Heart That Fed…!; writer, Len Wein; artist, Jae Lee; colorist, June Chung; letterer, John Workman. The Curse of the Crimson Corsair, The Evil That Men Do, Part Seven; writer, Len Wein; artist and colorist, John Higgins; letterer, Sal Cipriano. Editors, Mark Doyle, Camilla Zhang and Will Dennis; publisher, DC Comics.

Before Watchmen: Ozymandias 2 (October 2012)

873629Wein seems to think giving Adrian very purple narration suggests intelligence. It doesn’t. Adrian’s of “sleek” as an adjective is laughable.

Then there’s the problem of the thugs oscillating between ostentatious dialogue and traditional moronic thug dialogue. Wein is trying really hard; it kills any chance the series has–which isn’t much, given Lee’s painfully static art.

Speaking of Lee, his rendition of the Comedian is some of the worst comic art I’ve seen in a while. There’s only the one reveal page, but it’s truly hideous.

Wein rips off some details from the Shadow–the agents of Adrian (maybe Moore had those too)–but it’s otherwise indistinct superhero stuff. Lots of cursing to show it’s a grown-up comic book and not for kids.

As for the ties to the rest of Before Watchmen, a good editor would’ve made them more integral.

The pirate backup’s got really lazy art.

CREDITS

The Hand That Mocked Them…!; writer, Len Wein; artist, Jae Lee; colorist, June Chung; letterer, John Workman. The Curse of the Crimson Corsair, The Devil in the Deep, Part Ten; writer, Len Wein; artist and colorist, John Higgins; letterer, Sal Cipriano. Editors, Mark Doyle, Camilla Zhang and Will Dennis; publisher, DC Comics.

Before Watchmen: Ozymandias 1 (September 2012)

871683I don’t know what’s more amusing in Len Wein’s wordy exposé of Ozymandias–the idea of majoring in Alexander the Great in post-graduate work (seriously, did no editor explain to Wein how higher education functions) or Adrian being ashamed of his homosexual dalliances.

Wein has Adrian recording his memoirs during the final events of the original Watchmen and Adrian hides the gay adventure. Jae Lee’s art shows it while the text obscures it. If you’re going to be vaguely homophobic about it, why put it in? Unless it’s because Adrian’s just the bad guy.

Speaking of Lee’s art… It’s bad. Every page is meticulously designed like a cover–even the part where Adrian hallucinates on hash (the world clearly operates differently in the Watchmen universe)–but boring. And Lee’s incapable of drawing Adrian’s eyes. It’s a funny looking comic.

The pirate backup may actually be better than the feature.

CREDITS

I Met a Traveler…!; writer, Len Wein; artist, Jae Lee; colorist, June Chung; letterer, John Workman. The Curse of the Crimson Corsair, The Devil in the Deep, Part Five; writer, Len Wein; artist and colorist, John Higgins; letterer, Sal Cipriano. Editors, Mark Doyle, Camilla Zhang and Will Dennis; publisher, DC Comics.

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