Helen Raynor

Doctor Who (2005) s03e05 – Evolution of the Daleks

Last episode I went in pretty hard on the British actors playing Americans but I think I may have emphasized accents too much. Hugh Quarshie’s accent isn’t bad. His performance is bad, his accent is fine. Whereas Andrew Garfield’s accent is bad and his performance is bad.

Though even Garfield seems like a strong supporting player when taking main guest star Eric Loren into account. Loren’s the Dalek-human hybrid. He’s got a head with a single eye and tentacles—short, thick, dreadlock tentacles. He’s pink. He looks like a “Simpsons” or “Futurama” alien. It never looks real, because exposed brain tissue would be a lot real, but it also looks lifeless even if it’s absurd. It’s distractingly bad.

Like, afternoon local access kids’ show bad.

But even as bad as the mask and makeup and whatever… Loren’s performance is eye-widening terrible. Uncomfortably terrible.

You feel bad for the other actors terrible. And the rest of the actors—even Garfield, much less Quarshie—are sympathetic because they’re trapped in this terrible episode.

The episode seems like some kids’ variety show, partially because of the production design, mostly because of James Strong’s direction. Strong doesn’t do good work here. He does better directing than Helen Raynor does writing, but it’s still rather wanting.

The exciting conclusion to the Daleks trying to take over the planet from 1930 New York and somehow continuing the Dalek race. David Tennant very quickly goes from being anti-Dalek to pro-Loren hybrid Dalek, which is terrible for a couple reasons. First, it means more Loren, second it means Tennant’s just part of some other character’s plot line. Will the regular Daleks behave when their leader is getting all human-y?

Freema Agyeman gets to play gal pal to lovesick Miranda Raison, which is a big waste. Also a big waste of Raison, who gets downgraded from her Doctor’s love interest spot from last episode.

I knew this episode would be a slog and, no surprise, a slog.

Doctor Who (2005) s03e04 – Daleks in Manhattan

So… Nicholas Briggs does do the Dalek voices in this episode. He’s been doing all of them, which is weird because the Dalek voices this episode are terrible and so… I figured it was other actors.

But no.

It’s Briggs.

And he’s terrible.

I was waiting for the Daleks to show up—they’re trying to take over 1930 Manhattan, using the Empire State Building’s construction to do something. It’s not particularly interesting, mostly because even with the potentially interesting setting, the episode plays more like a college stage production, where British actors get to try out their American accents while acting in front of green screens.

Including future Spider-Man Andrew Garfield, who plays a Tennessee(!) youth who encounters the Doctor (David Tennant) and Martha (Freema Agyeman) as they hang out in Hooverville to solve disappearances among the Depression-ravaged residents. Hugh Quarshie plays Black king of melting pot Hooverville, which seems a little… I mean, it seems like it needs to come with citations if they’re going to do it. Because otherwise it seems like it’s painting in some inclusivity where there wasn’t any.

But then there’s not many bars Helen Raynor’s script clears. It’s a fairly bad script. Like, jarring, getting worse as it goes along. The Dalek dialogue seems like it’s just not written with the right ear (in addition to whatever’s going on with Briggs).

The episode introduces another female interest for Tennant—showgirl Miranda Raison, who sounds as New Yawk as Burnham Thorpe, Norfolk gets. So after having all this momentum with Agyeman and Tennant as a team, the episode keeps them together but gives Agyeman a lot less to do.

It’s disappointing. Though the episode looks like it was shot on a camcorder—maybe because there are so many period sets? Like, bigger the production, worse the video “stock”? So it always looks disappointing. Then it just disappoints overall.

The show’s quickly run out of goodwill with the Dalek episodes. They’ve gone from being a gem of a trope to a trope’s trope.

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