Grant Gustin

Legends of Tomorrow (2016) s06e01 – Crisis on Infinite Earths: Part Five

Given how much work these Arrowverse crossover events make for the show’s creative teams—just imagine if they had to bother with good writing, better direction (though this episode isn’t too bad), and good guest stars—you’d think they wouldn’t have wasted twenty-percent of Crisis on Infinite Earths with this utterly superfluous episode. Outside the big bad guy not being gone for real and coming back so the heroes have to team up, again, to take him down (though with a lot less heroes than in previous episodes)… not much gets done. Except everyone’s on the same Earth so crossovers could be easier but probably won’t be? Because the characters existing in alternate dimensions isn’t the problem.

The episode opens with Supergirl Melissa Benoist discovering everything is back to normal but has changed. Lex Luthor (Jon Cryer in way too short of a cameo) is now a good guy and Benoist is now buddies again with (not seen) Katie McGrath—tune into “Supergirl” to see how this move saved their butts dramatically but don’t because it’s too late for “Supergirl.” Benoist soon runs into Grant Gustin, who also is realizing their Earths have combined, but there’s no “Flash” supporting cast so we don’t even know what’s up with Gustin and wife Candice Patton. Tune into “The Flash” for that reunion? Or don’t.

There’s a Marv Wolfman cameo where everyone pretends he cared a lot about Supergirl and the Flash? I mean, he killed them off in Crisis on Infinite Earths the comic book and there’s a moment where it seems like Benoist is toast but… nope. Because this episode’s narratively pointless. Yes, it provides the first ever live action Sargon the Sorcerer (a DC Comics character since 1941 who did have something to do with the Crisis comic but not this crappy crossover event) and (sort of) a coda for Brandon Routh’s Superman Returns but eh. There’s a Beebo cameo for people who actually watch “Legends of Tomorrow,” which is at this point the only Arrowverse show worth watching (though I’m seasons behind on “Black Lightning,” which is now an Arrowverse show). Pointless fights, badly directed ones (okay, maybe the direction isn’t okay), bad writing. There’s a new President in the Arrowverse and, no spoilers, but they didn’t get anyone famous for it.

There’s a “Super Friends” ending, which they’re way too excited about doing, especially since it’s in an empty warehouse. It’s lifeless stuff.

There are two lengthy sequences dedicated to Stephen Amell, with various people providing eulogies, and you have to wonder if Amell made them put those scenes in because they’re poorly written, performed, directed, and everything else. No one who liked “Arrow” so much they needed emotional closure on the series ending cares if Benoist and Gustin moon over Amell.

I forced myself to make it to Crisis on Infinite Earths this season to give myself a good jumping off point for the shows (not “Legends”) but I really wished I’d jumped before these last two episodes. The universes combining without any of the regular cast members from the shows taking part? Who cares. It’s got the dramatic resonance of… well, a bad Arrowverse show. A really bad one.

Arrow (2012) s08e08 – Crisis on Infinite Earths: Part Four

So.

Confession time.

During the harder-than-normal sci-fi opening to part the fourth of Crisis on Infinite Earths, I thought the crossover might have a chance. I thought if they split the first three into the one arc, then the second two into another… I thought it might work. For a few seconds in the cold open, featuring LaMonica Garrett opening a portal to the dawn of time and somehow unleashing the antimatter universe or something… I thought it had a chance. Then Garrett proved to be just as bad in the cold open as usual and, poof, so much for that possibility.

But wait, then regular human guy Osric Chau (who’s totally becoming the Atom later this year on “Legends of Tomorrow” but whatever) journals—to his dead wife—about all the sad superheroes outside time and space trying to kill time before the plot contrives a way for them to save the universe and it seems like it might get okay, since it’s centering around Chau and his regular guy take on the situation.

And, nope, the journaling stops once Grant Gustin reappears after being missing (during the hiatus between parts three and four, not like, in the present action of the episode or anything). Bummer?

The deus ex machina to get the heroes back in action is Stephen Lobo (who’s in one scene and is so terrible he deserves a callout) training Stephen Amell to be “The Spectre.” Amell’s voice gets disguised, which sort of helps with his performance. Once he’s ready to go, he visits his friends and gets the final battle under way.

Not.

Instead, the episode becomes a low rent Avengers: Endgame with Gustin flashing between moments in Amell’s “Arrow” history to collect the other heroes, who are stranded in the events. Except Chau, Melissa Benoist, and Jon Cryer, who are on a mission on the forest moon of Endor. But a low rent Endor. Cryer’s hilariously fun as Lex Luthor, but Benoist is an utter killjoy as depressed Supergirl. And Chau’s beard looks fake.

But they do get an “asshole” past standards and practices, so… win?

Once Endgame is over—the “highpoint” is Gustin bantering with super surprise guest star Ezra Miller (whose career mustn’t be in great shape as he waits for his years delayed Flash solo movie)—in case you’re wondering, Gustin’s so much better than Miller, it’s not even funny, but it’s still better than anything else because it’s at least fun. Anyway, once Endgame is over, the heroes all go to fight CGI monsters in a rock quarry while Amell fights Garrett (the evil, anti-Garrett) for the fate of the universe.

You’d think since it’s “Arrow,” one of the last episodes of “Arrow,” and Amell’s last stand, there’d be a big fight scene between the two.

Nope. They shoot CGI force lighting at each other. It’s terrible.

I suppose at least they aren’t spouting off goony expository statements about themselves as they fight, which the regular heroes do. The script, by Crisis comics writer Marv Wolfman and “Arrowverse” prime mover Marc Guggenheim, is truly godawful.

I can’t believe I thought they might save it. They somehow made it worse; the desperation of aping Endgame manages not to even be the worst thing in the episode, which is something because it’s super desperate.

The Flash (2014) s06e09 – Crisis on Infinite Earths: Part Three

Crisis: Part Three is a scant handful of okay moments surrounded by truly godawful dialogue, sometimes so bad it’s impressive the actors are keeping it together—points to Grant Gustin, Elizabeth Tulloch, Cress Williams, and Candice Patton—one inventive plotting point, a couple big nostalgia deep-dives (they really felt the need to validate “Birds of Prey” fans, which I’m not sure I believe is a thing), and a lot of nonsense. Along with plot points from other DC Comics crossover events, including one of the silliest ones.

There are a lot of obvious budgetary shortcuts, like how Brandon Routh’s Superman returned never gets a shot actually going through the teleportation effect because apparently there’s only so much CGI budget. But also the lack of exterior shots (they don’t even recycle footage from the last time they showed Crisis hitting Earth on “The Flash,” which might threaten some kind of extended cut?).

The three big plots this episode—almost called it issue, but no, if it were an issue of Crisis it’d look better, George Perez and all (seriously, how they didn’t get a uniform good score for the crossover instead of just dropping in the old superhero themes…)—anyway, it’s Gustin, Carlos Valdes, and Danielle Panabaker trying to save the world from the speed cannon, which is an utterly crappy sequence. Especially compared to the comic, but even compared to when Gustin disintegrated in his nightmares earlier this season. Like they spent more money on that effects shot from a regular episode than the money shot in this one. It’s a bummer. Even if it’s got a good nostalgia hook but also an exceptional missed opportunity. The crossover asks for a whole bunch of slack and doesn’t deserve any of it.

Oh, wait, there are four big plots. I forgot about Matt Ryan leading David Ramsey (whose acting has gotten worse the longer he’s been on “Arrow,” and not just because he has a very forced Malcolm X quote to show he’s a Black man, which might be the most questionable creative decision in a series of very questionable creative decisions), Stephen Amell, and Katherine McNamara on a cameo-filled field trip through the Arrowverse purgatory. Even though it’s unclear how the infinite Earths work with purgatory, because it seems to be unified between realities but… whatever. Anyway, it’s just for cameos and to give Ramsey some crossover time. McNamara’s got almost nothing to do so she’s nowhere near as bad as last episode.

Then Ruby Rose and Melissa Benoist are bickering about Benoist wanting to use the Book of Destiny or whatever it’s called to save the lost universes and acting like they’re in a Frank Miller rip-off until they get girl power. Rose is bad, Benoist’s not good but also not bad; it’s neither of their faults. It’s the script, it’s the direction. Their plot’s a pointless, terribly written one.

Finally, Patton is tasked with introducing Osric Chau to the Arrowverse. I’m sure he’ll have a job after the crossover as Atom II. He’s actually okay, even though the scenes are atrociously written. Because of course they are.

The big cliffhanger—it’s five weeks until the last two entries—lacks in grandeur and execution, also not a surprise. It’s almost like they don’t have the budget for the guest stars and special effects and so went with the former. Or maybe it really is just a terribly produced crossover. It’s not like the last one was any good either.

There is a pleasant surprise at the finish, but only because it promises to amuse when they get back. Amusement would help. This episode’s not amusing. Or entertaining. And Audrey Marie Anderson and LaMonica Garrett are still terrible. Oh, and they managed to get an even worse performance out of Tom Cavanagh than he’s been giving the rest of the season (he should quit after this disservice to his filmography, just for the godawful costuming alone).

Is it as bad as the first episode of Crisis? No. Is it as middling as the second one? Nope. But whatever’s coming in five weeks, it’s pretty clear even if it’s entertaining or amusing or manages some decent moments from the actors… it’s not going to be good. And it’ll probably be bad. It’ll definitely be tedious. The cliffhanger would have been the end of the first installment if this Crisis were any good.

Batwoman (2019) s01e09 – Crisis on Infinite Earths: Part Two

So “Batwoman”’s Crisis crossover is rather instructional, at least in understanding what’s going to go wrong with it (the crossover). The writing. “Batwoman”’s script is all right. Not great, but leaps and bounds over the previous one. Even if the performances get a little shaky and they’re trying too hard to foreshadow, but Don Whitehead and Holly Henderson’s script does something “Supergirl” couldn’t manage. They make a decent “hour” of superhero adventure TV.

Albeit an hour with absolutely nothing to do with the regular “Batwoman” stuff, including having Ruby Rose play second-fiddle to pretty much everyone and then have this weird “straight-coding” moment with Melissa Benoist, which is a pointless Bechdel fail. How is it possible the Arrowverse shows can’t find a writer capable of not screwing up at least one of the characterizations. It’s not like comics got to have writers’ rooms or paid assistants so you’d think there’d be someone checking on this stuff, but whatever. It’s a short scene and soon gives way to the simultaneously successful and not successful Kevin Conroy cameo.

How does “Batwoman” get away with never having Batman on the show? Go to the future on an alternate Earth during the Crisis and introduce old man Batman Kevin Conroy (who voiced the “Animated Series” cartoon for years along with a bunch of other cartoon features and video games). Shame Conroy’s really bad at acting. Though director Laura Belsey gets major props for trying to hide it. Most of Rose and Conroy’s scenes together consist of Rose standing and listening to Conroy speak, close-up on Rose, maybe an over the shoulder from Conroy every once and a while because that way Conroy’s speaking but not having to emote. It’d be more impressive if the Conroy cameo added up to anything, but not really.

Meanwhile, there’s the Jon Cryer’s Lex Luthor hopping universes to kill Superman over and over again, leading to a shockingly good Tom Welling cameo. I’ve never seen “Smallville” but Welling seemed like he’d impress as an actor but he’s good here. Is able to play off Cryer without much setup. Good stuff.

Then there’s Brandon Routh getting to put on the Kingdom Come Superman outfit and do a Superman Returns sequel, with plenty of references… then a sad Joker one. And it turns out… Routh really was a lot better at playing Clark Kent than Superman. Maybe he’d have grown into the part if Returns had gotten its Man of Steel but… also maybe not. Though he’s in old age makeup and CG-buffed or something to play old man Superman here so who knows.

Oh, right, then there’s Grant Gustin and Caity Lotz (the best performance in “Supergirl,” decidedly not feeling it here; she seems exhausted) going on a secret mission with Green Arrow fille (Katherine McNamara, who’s not good) and exhausted too but still lovable Matt Ryan. Dominic Purcell shows up for some comic relief, along with an actual nice surprise cameo.

Candice Patton’s also around, participating in the continuing Tyler Hoechlin and Elizabeth Tulloch “Superman Family” backdoor pilot. It’s still cute enough, more so here just because the episode’s a lot better television than the “Supergirl.”

Shame the Arrowverse producers didn’t care about consistent writing… with this crew on the whole crossover, Crisis might have had a chance. But hopefully it won’t ever be as bad as “Supergirl”’s entry again.

Got to be fair and point out there’s less LaMonica Garrett in this episode than the “Supergirl,” which means less absurdly godawful acting and just regular tepid TV performances and not even many of those… it’s a very professionally executed episode.

Supergirl (2015) s05e09 – Crisis on Infinite Earths: Part One

With the Crisis on Infinite Earths crossover, the CW Arrowverse achieves one of those DC Comics’s successes—they promise they understand, they promise they get it, they promise they’ll do it right, then it’s terrible. Not just regular terrible but also profoundly inept in some manner. See, you know, DC Comics’s comics for the last… twenty years? Twenty-five? Depends on if you want to see “Zero Hour” as the last chapter of the old or first chapter of the new. And Warner’s even done it with the movies–Batman & Robin and Justice League being the most obvious examples. They say they know what they’ve got, then they show they don’t. The fail the project’s potential.

Like, I hoped it would be better than the regular production values on “Supergirl.” It’s worse. Melissa Benoist gets to play second fiddle to Tyler Hoechlin and Elizabeth Tulloch’s “Superman Family” backdoor pilot, which is fine because Hoechlin and Tulloch are a hell of a lot less obnoxious than the regular cast this episode. Even though it’s a regular “Supergirl” director (Jesse Warn), somehow Jesse Rath’s totally different. Like no one’s on the same page with the character, actor, writers, director, and it makes his every expository deliver simultaneously exasperating and enraging; the show doesn’t have to be so bad, why aren’t they trying to at least not make it its worst. They ought to be showcasing their strengths.

The show’s shockingly inept at introducing the other heroes, which kind of makes sense since you’ve got to spend time with the regular cast since you’re not paying them all to crossover… but maybe mix it up a bit. Ruby Rose and Katie McGrath doing something has a lot more potential entertainment value than McGrath and Chyler Leigh sniping at each other over McGrath’s supervillain potential. Brandon Routh and David Harewood doing something would beat Routh playing second fiddle to Caity Lotz (who gives the episode’s best performance) and Harewood still having his stupid wisdom lines.

Nicole Maines and Azie Tesfai only show up to herd people out of the waterfront area, which has become the show’s biggest and stupidest action trope now. Is it a Vancouver fun run or something, shooting “run from the huge waterfront in the Kansas City stand-in city” every week?

Basically no one gets anything good. Hoechlin and Tulloch excepted. Hoechlin even gets to be sad about Benoist’s long-lost mom dying because guest star Audrey Marie Anderson (who’s terrible and going to be in all of the crossover episodes, which is really bad) didn’t have enough energy in the Dilithium crystals to save her. It’s a poorly plotted episode. Like, I get there needs to be a bunch for Stephen Amell because it’s his last crossover but they pad they heck out of his scenes. He and future daughter Katherine McNamara have the same conversation at least twice, maybe more, and when it gets time for Amell and “Flash” Grant Gustin to have their big crossover moment they don’t get one because there’s not time, there’s already the “Superman Family” pilot in session.

Worse, it’s cheap. They fight the “shadow demons,” which were the “Crisis” comic disposable baddies but they’re like medieval-ish ghosts… like, cheap CGI model ones. All the action sequences with them are terrible, even worse than the “meet Batwoman” action sequence the show goes with. Warn’s never been a good director but they really should’ve gotten someone else.

They also should’ve hired a good composer special for the crossover. The music is truly horrific.

The CW’s Crisis on Infinite Earths is off to its most inevitable start… it’s a shitty DC event crossover.

And while the opening cameos with Robert Wuhl (from Batman 1989) and Burt Ward (from “Batman: The TV Show), along with the clip from “Titans?” They set up a false expectation of competency. Maybe not technical prowess, as the green screen shots are terrible, but they at least suggest the crossover gets its entertainment potential.

Then it fails. Over and over.

Outside convincing me to maybe try “Superman Family” and to reassure me I’m not missing anything on “Arrow,” the show’s greatest success is providing a solid jumping off point.

The Flash (2014) s06e08 – The Last Temptation of Barry Allen, Pt. 2

So unlike previous seasons, the CW “Arrowverse” showrunners—at least on “Flash,” “Supergirl,” and to some extent “Batwoman”—are doing a pre-Crisis arc and a post-Crisis arc, which might end up making a lot of sense depending on how Crisis goes… so this episode is the big finale to the comically godawful Sendhil Ramamurthy arc. He gets to turn into a big skull-faced Venom CG monster at the end, but the monster still has his voice so even if the CG is bad, Ramamurthy is able to make it even worse with his performance.

Also with the end of the arc thing there are big action set pieces, except they’re not big. They’re fake big. There’s a zombie apocalypse as Ramamurthy infects people in Central City with brainwashed “Dark Flash”’s help. We don’t get to see the apocalypse because budget; instead it’s Candice Patton and Carlos Valdes arguing about what to do next. As Grant Gustin left Valdes in charge (for after Gustin dies in Crisis), Valdes thinks he’s got the best plan. Meanwhile Patton has a different plan, one where Gustin’s not acceptable collateral damage.

Both plans are stupid because the script’s stupid but Valdes’s performance is so lousy, it’s impossible to side with him. He and Danielle Panabaker desperately need to get off this show, both for the show and for themselves. Panabaker at least has some okay moments as (don’t call me Killer anymore) Frost, but when she reverts back to regular Caitlin she’s bad. Not sure why. It’s obvious why she doesn’t use her powers against the zombies when she and Jesse L. Martin go out to the street to fight them. Because budget. But why’s Panabaker so thin playing her regular role? Maybe because she’s so bored with it they had to make her a different character to keep her on the show?

As for Gustin, who last episode went over to the dark side, possibly willingly, he doesn’t get anything to do until the end of the episode when they’re all sitting around moping about Crisis. It’s a terrible scene, though possibly better than the previous episode where he frets about his mortality. I foolishly thought the show might have some good “Road to Crisis” stuff but it’s all crap. It’s not exactly disappointing but it’s surprisingly poorly executed.

The one technically good thing in the episode is when Cecile (Danielle Nicolet, who’s all the show’s got going on anymore) and Victoria Park have to escape from a building overrun with zombies. Nicolet uses her psychic abilities to sneak them out in a long “continuous” shot sequence, which is technically proficient but still bad.

Because budget.

It’s probably not a good idea the show set its whole season up as a jumping off point for after the crossover, but unless they clean house on the cast and get some better writing, “The Flash” has run out of steam.

Tom Cavanagh sucking the season certainly doesn’t help things.

The Flash (2014) s06e07 – The Last Temptation of Barry Allen, Pt. 1

“The Flash” seems to be in a race—no pun intended—to see how bad it can get before the Crisis crossover. This episode gives Grant Gustin his first showcase all season and instead of giving him scenes opposite the regular cast, like his wife, dad, friends, sticks him in a battle of the wills. On one side is Sendhil Ramamurthy, who—against all odds—is actually worse than usual. He’s Ultimate Venom. On the other side is Michelle Harrison, who sometimes plays Gustin’s dead mom, sometimes the Speed Force. Harrison’s always been a weak casting choice. She did a little better in the stunt as Earth-Three not-Barry’s mom earlier this season and it’s hard to fault her with anything this episode. The personified Speed Force is a really stupid idea. Not Harrison’s fault.

So while Ramamurthy tries to convince Gustin to embrace the Venom so Gustin doesn’t have to die in Crisis, Harrison tries to convince Gustin he needs to sacrifice himself because he’s Jesus.

Only he’s not Jesus. When “The Flash” introduced the idea of Gustin disappearing in the Crisis first season, it was an Easter egg. The way they’ve turned it into a plot point this season has been godawful but not surprisingly so. The “Arrowverse” Crisis for Gustin doesn’t have the traditional gravitas from the actual comic. It’s got the “Flash” gravitas, which is pretty slim stuff.

The episode opens with a lousy cliffhanger resolve—Ralph (Hartley Sawyer) versus Ramamurthy, but really just an excuse to get Sawyer out of the episode to… film crossover scenes? Because dramatically it’s crap. Though everything related to Ultimate Venom is crap.

Meanwhile, Candice Patton gets a big reporter arc. But not really. She’s just avoiding writing her obit of The Flash, which is that season one Crisis Easter egg, which makes sense because she has no idea how he’s going to die. Dumb.

Though Kayla Compton is working out all right, despite being somewhat pointless except to prod Patton into various actions.

It’d be nice if it were at least a good performance from Gustin, but Gustin’s either in dream sequences or possessed by Venom. It’s all so pointless, protracted, cheap, melodramatic, silly, and dumb, it really doesn’t work out.

Kind of like the show at this point. I keep catching myself thinking Crisis might fix the show’s problems but unless they’re replacing the writers are the crossover, I can’t see how it could.

The Flash (2014) s06e06 – License to Elongate

So Ralph (Hartley Sawyer) gets his own episode and it’s, for some reason, a James Bond send-up. He and Grant Gustin are in tuxedos trying to stop Bond villain wannabe (literally, the guy wants to be a Bond villain, it’s part of the narrative) Carlo Rota from selling a doomsday laser to some one percenters. It’s really dumb, but slightly charming just because Sawyer’s charming. Gustin can be charming too but not here. He just wants to Flash-up and take out the villains but after six seasons of fighting superpowered adversaries, he can’t take on a bunch of Eurotrash. It’s kind of humiliating, actually.

Meanwhile, Tom Cavanagh has a subplot about convincing Kayla Compton to use her superpowers to prevent the upcoming Crisis and maybe give the regular cast time to film their Crisis crossover appearances. It’s a lousy subplot mostly because it meanders and seems pointless. No one was missing Compton since her last appearance and Cavanagh’s “Nash Wells” adventurer character somehow manages to be even slighter than his Quebecois trash Sherlock Holmes riff last season.

Then Danielle Nicolet gets a subplot with Brandon McKnight about him waking up from a black hole-induced coma and trying to ask out the barista he likes. It’s not well-written—nothing in the episode is well-written—but Nicolet’s good and McKnight’s fine. Nicolet’s psychic powers are off because she feels lost in her career or something—doesn’t matter—but it works out thanks to the actors.

In fact, the episode ends on solid enough ground if it weren’t for big bad and terrible actor Sendhil Ramamurthy showing up to set up the cliffhanger, it might even be a success. Or as close as season six “Flash” is going to get to a successful episode. It’s really too bad for Sawyer, who props up the show quite a bit these days. Maybe he’s a big James Bond fan?

McKnight’s a whole lot less annoying than regular cast member Carlos Valdes these days… maybe the show’s prepping for Valdes and Danielle Panabaker (who directed the episode and does a fine job) to depart.

Fingers crossed anyway.

The Flash (2014) s06e05 – Kiss Kiss Breach Breach

How is this show so boring… so much happens yet so much of it

It’s a very strange Cisco episode. Barry and Iris go on vacation before the Crisis crossover (possibly to film the Crisis crossover) while Cisco holds down the front. Now, I can’t remember the last time Carlos Valdes was charming but I think it was two seasons ago. It’ll happen every once in a while now and you can tell it’s not intentional. Somehow Valdes’s original energy gets through, despite finally being a superhero and having a girlfriend. Only now he’s not a superhero and he’s got a different girlfriend (Victoria Park) and he’s unsure of himself. There’s an absurdly bad subplot where Valdes and Park are supposed to be adorable together and they really aren’t. They’re annoying together.

Because even though they get the big story, involving guest star Danny Trejo and a couple big surprises, the most interesting stuff in the episode is the very small subplots with the other cast members. Because they’re also filming Crisis? Who knows. But Danielle Panabaker having another super-quick showdown with season big bad and Venom wannabe Sendhil Ramamurthy is not great drama. Tom Cavanagh and Jesse L. Martin being trapped in a collapsed subway tunnel and running out of air could be great drama—a good show would’ve turned it into a full episode—but the show manages to kill it by giving Martin this monologue about faith. Only his faith turns out to be in the upcoming Crisis meaning he can’t die now. He’s got to be around for the crossover. Only really schmaltzy and not meta at all. It’s a bummer.

Valdes eventually gets better and it’s not the worst episode by the finish—the show leverages Hartley Sawyer being a success after what seemed like a questionable start—but if all Valdes’s storylines going forward are going to involve him getting into situations where his stupid powers would save his life or mean he could save others… maybe he shouldn’t have gotten rid of them.

I wish I could remember when this show worked on a regular basis. I wish I could remember back to season two, to when it actually disappointed when it didn’t deliver on its potential. Now it just doesn’t even try to generate potential. It’s distressing how poorly the show utilizes its cast these days.

Also there are no big action set pieces here. Cheap ones only. Maybe the money’s going toward Crisis. Hopefully. This whole season hinges on the big crossover to breath life back into it. Not a great place to be. If a Jesse L. Martin monologue can fail, nothing’s safe anymore.

And Martin’s monologue failed hard.

The Flash (2014) s06e04 – There Will Be Blood

It’s a big sad episode, with all the men going through their pre-Crisis sads about Barry (Grant Gustin) dying in just six weeks. Cisco (Carlos Valdes) is sad so he steals the super-cure they’re supposed to be stealing to save villain Sendhil Ramamurthy, who is stunningly bad at the acting thing. They clearly hired him because he’s a hot dude, not because he can convincingly blather pseudo-scientific superhero show dialogue. To himself, of course. He talks to himself all the time. If Ramamurthy were better, it could be a great hammy villain. But he’s not.

So then it turns out Hartley Sawyer is sad too. Iris (Candice Patton) finds out because she does nothing this episode except go visit her friends. No one in Central City calls, texts, or e-mails. They go visit. Makes sense for Gustin, since he can run super-fast, but presumably Patton took a Lyft or something? Anyway, she checks in on Sawyer but he’s in a weird mood. Turns out he’s just sad about Gustin. Jesse L. Martin goes to talk to Sawyer, which affects Martin, so he and Gustin have a big hug scene at the end of the episode only it’s not one of those great Gustin and Martin hug scenes because 1) there’s no “Dad” and 2) it’s just Crisis. Who gives a shit? DC does one every few years… Arrowverse is overdue.

But seriously, the show’s dealt with impending, observed future death so many times, it’s not really surprising Gustin’s so nonplus. Though, just because it’s “The Flash,” he’s inevitably going to have to have a breakdown episode. Patton hasn’t had one either. She and Danielle Panabaker are just there to keep the boys functioning this episode.

On the only real plus side… liking Tom Cavanagh now. The tease of Cavanagh last episode wasn’t enough, you need full Cavanagh. The multi-dimensional adventurer thing is fine. He still gets to the fun stuff.

The Gustin and Valdes stuff is exhausting. Six weeks to Crisis. Can’t come soon enough.

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