So I thought this episode was one of those pre-1980s Mafia stories where they never referred to the Mafia by name because they call it the Camorra here but the Camorra is actually a different Italian criminal organization. The more you know.
Miss Fisher (Essie Davis) and Inspector Jack (Nathan Page)—or should I say, Inspector Johnny—versus the mob was not an episode of “Miss Fisher’s” I was expecting. But I also wasn’t expecting Page to have another chaste love interest… you get the impression he spends most nights drinking with Davis.
But no. He’s off at an Italian restaurant making eyes at comely widow Louisa Mignone, who’s making just as many eyes back. We finally get to see Davis jealous. And Page reveling in it; well, at least as much as Page would revel in it. Until things get serious with Mignone, whose restaurant is part of a feud.
Mignone’s father-in-law Vince D'Amico is both chef and mob boss and he says the other Italian restaurant has been stealing their recipes. Given the other restaurant’s chef, Annette Serene, is super-mean, it seems possible. In fact, D’Amico and his family are sure Serene’s family had D’Amico’s son (and Mignone’s husband) killed. Because they take cooking very seriously.
There’s also kids Danielle Horvat and Paul Pantano—then Robert Mammone, who’s Horvat’s father and Serene’s son-in-law—he’s also a widower—plus enforcer Alex Andreas.
It’s a very full episode, which director Peter Andrikidis maneuvers quite well. Especially since there’s also the big subplot about Ashleigh Cummings finally convincing Hugo Johnstone-Burt to convert to Catholicism and it turns out he’s all for it once he discovers Cummings has to do whatever he says because he’s the husband. Cummings, on the other hand, thinks maybe the Church has got that one wrong.
Really good performance this episode from Page—the closest he’s had to a showcase maybe ever—and the finale’s excellent.