Bruce Boxleitner

Tron: Legacy (2010, Joseph Kosinski)

Tron: Legacy is a little better than the first one (though the first one is so bad, it would be hard not to be). It does, however, share a very common trait–it’s best when the music is blaring. The Daft Punk score is wondrous and when the music’s going, Tron: Legacy works. Another asset is director Kosinski. His sense of composition is excellent and he incorporates the big special effects beautifully.

The smaller CG effect–slapping a young Jeff Bridges face on some stand in–fails. It looks like a rubber mask. They might have been better off with a rubber mask, actually.

Two more strong elements. First, production designer Darren Gilford. The film looks amazing. It might get a little less amazing for the finish, but the last scene has that other strong element. Olivia Wilde is fantastic. Her role is difficult (because it’s silly) but she turns in an easily likable performance while suggesting a lot of depth.

Lead Garrett Hedlund starts weak but gets better once Bridges shows up. Bridges is clearly cashing a paycheck here. Then there’s Michael Sheen… Kosinski apparently told him to play a cartoon character.

Unfortunately, the script’s dumb; the plot twists are idiotic and contrived.

Much of the action is lifted from old blockbusters (lots of Star Wars and even the original Burton Batman). Kosinski might not be original, but he executes his plagiarism effectively.

I’m loathe to say it, but Tron: Legacy is worth seeing. If just to look at it and hear.

1/4

CREDITS

Directed by Joseph Kosinski; screenplay by Edward Kitsis and Adam Horowitz, based on a story by Kitsis, Horowitz, Brian Klugman and Lee Sternthal and on characters created by Steven Lisberger and Bonnie MacBird; director of photography, Claudio Miranda; edited by James Haygood; music by Daft Punk; production designer, Darren Gilford; produced by Sean Bailey, Lisberger and Jeffrey Silver; released by Walt Disney Pictures.

Starring Jeff Bridges (Kevin Flynn / Clu), Garrett Hedlund (Sam Flynn), Olivia Wilde (Quorra), Bruce Boxleitner (Alan Bradley), James Frain (Jarvis), Beau Garrett (Gem) and Michael Sheen (Castor).


Tron (1982, Steven Lisberger)

It’s easier to stomach Tron if you think about it as a video track to Wendy Carlos’s score. While there’s some technical innovation (shooting actors on green screen, now a norm, got some of its starts with Tron, not to mention the endless CG–except in Tron, at least it was for effect and not some attempt at reality), it’s an almost utterly useless motion picture.

Jeff Bridges probably deserved an Oscar for this one, for keeping a straight face. He’s actually really engaging and entertaining. It’s kind of like Jeff Bridges if he couldn’t act; he’s just playing a grinning, charming guy. He’s really never done any other roles as bland.

However, he’s the one good main performance in the film. If you like Bruce Boxleitner, you might say his Tron performance is earnest. If you’re realistic, you’ll say it’s bad. Same goes for Cindy Morgan, though she’s nowhere near as bad as David Warner, who’s just silly.

Dan Shor’s actually real good. But he’s not in it enough.

Back to the music. Carlos’s music creates this … world in the imagination a lot more vast than the CG nonsense. It’s a mature score, able to be both profound (it’s incredibly passionate, something Tron lacks in terms of narrative and so what if the effects are passionate?) and playful. Far too good to be in something like Tron.

As far as filmmaking innovation–so what? There’s no storytelling inventiveness here, much less innovation, and without that factor, what’s the point?

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Steven Lisberger; screenplay by Lisberger, based on a story by Lisberger and Bonnie MacBird; director of photography, Bruce Logan; edited by Jeff Gourson; music by Wendy Carlos; production designers, Syd Mead and Dean Edward Mitzner; produced by Donald Kushner; released by Walt Disney Pictures.

Starring Jeff Bridges (Kevin Flynn/Clu), Bruce Boxleitner (Alan Bradley/Tron), David Warner (Ed Dillinger/Sark/Master Control Program), Cindy Morgan (Lora/Yori), Barnard Hughes (Dr. Walter Gibbs/Dumont), Dan Shor (Ram/Popcorn Co-Worker), Peter Jurasik (Crom) and Tony Stephano (Peter/Sark’s Lieutenant).


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