Tag: Brian Dennehy

  • The Jericho Mile (1979, Michael Mann)

    The Jericho Mile plays a little like a truncated mini-series. The first hour of the film introduces the characters, the ground situation, and does an entire arc for six characters. There’s a minimal subplot about prison psychologist Geoffrey Lewis trying to convince seemingly super-fast-running inmate Peter Strauss to open up in therapy. Lewis then gets…

  • Best Seller (1987, John Flynn)

    Best Seller either isn’t sleazy enough or it isn’t glitzy enough. Larry Cohen’s script about a cop who writes true crime books teaming up with a hitman desperate to be the subject of such a book needs something distinctive about it. Leads Brian Dennehy and James Woods are okay, but Cohen’s script doesn’t give them…

  • Meet Monica Velour (2010, Keith Bearden)

    In the listless younger man, experienced older woman genre, Meet Monica Velour is a painfully obvious modernization (the older woman is a former porn star, the younger man is an… avid fan). I use the ellipses because Meet Monica Velour’s protagonist is the finest example of the stalkers of the eighties growing up to be…

  • Presumed Innocent (1990, Alan J. Pakula)

    I could, but will not, get into the idea Presumed Innocent is what studios were making as popular summer entertainment in the nineties. It’s simply to depressing to start that discussion. Instead, I’ll start with the film’s strengths. Even though the second half is very strong–how did Raul Julia not get nominated for this one…

  • F/X2 (1991, Richard Franklin)

    F/X2 is very affable. It’s so affable, it encourages one to overlook its major shortcomings. First off, it’s a PG sequel to an R-rated original, which cuts down on the grit (though rated PG-13, the rating’s needlessly inflated with minor nudity). Second, it’s got Toronto standing in for New York. There’s some New York location…

  • First Blood (1982, Ted Kotcheff)

    Maybe if it weren’t for the Stephen J. Cannell television techniques (cars flying through the air or exploding on impact), the asinine, comedic banter between the deputies, some poor writing and Richard Crenna, First Blood might have been okay. Ted Kotcheff isn’t a good director though, so maybe not. Kotcheff shoots exteriors well (the stuff…

  • Perfect Witness (1989, Robert Mandel)

    Perfect Witness is a standard TV movie, even if it was on HBO (I’m not sure what got it on HBO even… language, maybe?), even if it does have a great cast. During the opening credits, it’s names like Brian Dennehy, Stockard Channing, Delroy Lindo, Joe Grifasi, and Aidan Quinn. Robert Mandel directed it. It…

  • F/X (1986, Robert Mandel)

    About ten minutes in to F/X, I got wondering how the film was going to deal with being a special effects-filled film about a guy doing special effects for films. I suppose they didn’t have to deal with that relationship, but it kept seeming more and more like they were going to need to address…

  • The Stars Fell on Henrietta (1995, James Keach)

    I wonder if, in the early 1970s, anyone could tell Robert Duvall was going to end up playing the scruffy-looking, ne’er do-well with the heart of gold over and over again. He doesn’t particularly act in The Stars Fell on Henrietta. He just shows up and does his thing. His scruffy-looking thing. There’s some attempt…