Miss Grant Goes to the Door is a rather well-executed propaganda short. There’s an air raid and two British sisters prepare to go to the shelter. Mary Clare is the noncommittal one, who wants to go back to bed, who needs to get her sewing before she can go to the basement. She even turns on the light to find it. Meanwhile, Martita Hunt is the serious, level-headed one. Can’t have the lights on, can’t ignore the sirens, must do our part because we’re relying on others to do their parts, after all, and so we must do ours.
Door wouldn’t work if it weren’t British. Anyone not British coming across like Hunt does would be obnoxious. Instead, she comes off as utterly badass.
The very quick action has the sisters realize German paratroopers are coming down and it certainly seems like they’re about to be invaded. Hunt has to keep her cool while trying to get Clare to get her upper lip stiff enough to be useful. After the quick setup, the rest of the short is full of explosions, spies, paratroopers, bicycles, cigarettes, and hunky home guard officer Ivan Brandt. And it all moves beautifully, thanks to director Hurst.
Good photography from Bernard Browne (especially the night exteriors) and capable editing from Ralph Kemplen—right up until the last shot, everything in Door operates at peak efficiency.
Hunt is awesome. Clare’s… not but more than passable thanks to Hunt overachieving on her end the scene. Clare’s nowhere near as committed to her role as Hunt seems to hers.
Hurst’s excellent direction, even more than Hunt’s performance, gets Door across the finish line. It’s a strong seven minutes of filmmaking, propaganda or not.
Produced and directed by Brian Desmond Hurst; screenplay by Rodney Ackland, based on a story by Donald Bull and Thorold Dickinson; director of photography, Bernard Browne; edited by Ralph Kemplen; released by the Ministry of Information..
Starring Martita Hunt (Edith Grant), Mary Clare (Caroline Grant), Ivan Brandt (The Local Defence Volunteer), and Manning Whiley (The Officer).