Benjamin Dewey

The Autumnlands: Tooth & Claw 6 (June 2015)

The Autumnlands: Tooth & Claw #6I’m not sure why Busiek feels the need for Dusty; he’s the puppy guy who’s sort of the protagonist of the comic. He only ever uses him to deceive the reader. In this issue, the human is doing something he doesn’t tell Dusty about so there’s that surprise for reader and character, but then Busiek’s got Dusty doing something the reader doesn’t know about. So he’s not reliable and not because he’s shifty, but because Busiek’s just using him as a vantage point.

It’s an okay issue of Autumnlands. Dewey does rather well with the disaster and action sequences (the human still doesn’t look good); his art makes the comic. Without it, Busiek would just be spinning his wheels.

There’s more political intrigue this issue. There’s more coincidences leading to big changes in the political spectrum. There’s more implied characterization than actual. It’s slight. It’s gorgeous looking, but Autumnlands’s shallow.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Jimmy Betancourt; publisher, Image Comics.

The Autumnlands: Tooth & Claw 4 (February 2015)

The Autumnlands: Tooth & Claw #4Yeah, Dewey really can’t draw people. He’ll do this beautiful anthropomorphic giraffe and then the lame human character. Of course, the human character is only lame in how Dewey draws him; Busiek writes the character rather well.

Busiek brings Dusty–who the first entire issued followed–into the present narrative as the human’s sidekick. They go out and explore the world and discover things aren’t like Dusty, on the sky-ship, has been told. And all the art is beautiful. Except the human.

I can’t remember how to spell the human’s name, which is why I’m just calling him the human. Busiek goes for something close to Leonard, but there’s a Y in there somewhere.

There’s the behind the scenes corrupt and the evil, if dumb, owl. I was hoping Busiek would tone down the political intrigue a bit, but the issue works out well even with it hanging around.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Jimmy Betancourt; publisher, Image Comics.

The Autumnlands: Tooth & Claw 3 (January 2015)

The Autumnlands: Tooth & Claw #3Busiek finally seems to be going somewhere with The Autumnlands. It’s unfortunate he needed a human to get the story moving, but Busiek turns what appears to be a contrived new character into just the thing the series needs.

The human savior from the past is a soldier with cybernetic implants or something. I’m sure Busiek will get around to explaining; he hints at a lot of stuff here, including have the guy use slang. And speak the language of the beast. It gives the reader better access to the world of the characters.

Speaking of characters, there’s a lot of good character development this issue. Busiek concentrates, he doesn’t look around too much, he doesn’t try focusing on anyone too much. Not even the teenage dog kid who was apparently once protagonist but not anymore.

Dewey’s art is still gorgeous, with one exception. He doesn’t draw humans particularly well.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Jimmy Betancourt; publisher, Image Comics.

The Autumnlands: Tooth & Claw 2 (December 2014)

The Autumnlands: Tooth & Claw #2It turns out the savior of the animal Earth of Tooth & Claw is–shock of all shocks–a human. A savage, but honorable warrior, which makes sense because something about the way Busiek writes the exposition about the savior (before his species was revealed) reminds of Conan.

Oh, and it’s The Autumnlands: Tooth & Claw now. I thought it was just a style thing (since the people all crashed down to the ground from the floating cities), but apparently it’s a trademark thing.

The result is the story having, so far, nothing to do with autumn. Actually, the issue takes place in one night with a herd of boar attacking–they’re happy the city-dwellers have been brought low–and the savior hatching. There’s arguing and some character stuff from the previous issue’s protagonist, but Busiek’s going for action and lots of events.

It’s fine, but Dewey’s art makes it worthwhile.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Jimmy Betancourt; publisher, Image Comics.

Tooth & Claw 1 (November 2014)

Tooth & Claw #1Writer Kurt Busiek takes a traditional–though not for comics–approach to this first issue of Tooth & Claw. He treats it as a “pilot movie” for the series, introducing a bunch of characters who aren’t going to be important later but are important to this issue’s story. It’ll be interesting to see if he keeps up the structure for the series going forward, will every issue have an actual complete three act structure.

It’s a fantasy world where animals walk on two feet and talk and cast spells. The whole society is based on magic and trade. There are big hints of humanity being part of the story, but Busiek doesn’t go into it this issue. He should, given the time spent hinting, but he concentrates on his cast and how they handle a catastrophe.

It works out because Benjamin Dewey’s art, gorgeous throughout, is even better on the finale.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterer, Jimmy Betancourt; publisher, Image Comics.

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