The funniest thing in Birdman is, surprisingly, not when Michael Keaton and Edward Norton get into fisticuffs and Norton’s in nothing but speedos. The funniest thing in Birdman, which is about former superhero movie megastar Keaton staging a pseudo-intellectual comeback stage production of a Raymond Carver adaptation, is–after Norton makes fun of Keaton’s character’s overly wordy adaptation (Carver wasn’t a wordy writer, as published)–how pointlessly wordiness of director Iñárritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo’s script.
There’s also a huge gaffe when Emma Stone talks about Carver’s story being sixty years old (unless Birdman takes place in 2041 and, given the constant references to social media networks, it isn’t).
Birdman is a pretentious, Hollywood “indie” melodrama. Iñárritu’s fake single shot style, expertly manipulated by cinematographer Emmanuel Lubezki, brings nothing to the film except a distance from the audience. Iñárritu uses the style–and Antonio Sanchez’s drum score–to keep up the film’s energy, because otherwise, there’s nothing but Batman references, superhero movie jabs, New York condescension of Hollywood, trite father-daughter problems and expository dialogue.
Oh, and Keaton being haunted by Birdman, the superhero his character played to great financial success.
There’s nothing in the script for Keaton to do. He does it all pretty well, but his part’s exceptionally shallow. The “deep” scenes with ex-wife Amy Ryan suggest Keaton and Ryan could make a good film. Not this one.
Norton’s great, Stone’s awful. Nice supporting work from Naomi Watts.
Birdman’s gallingly light stuff.
Directed by Alejandro González Iñárritu; written by Iñárritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo; director of photography, Emmanuel Lubezki; edited by Douglas Crise and Stephen Mirrione; music by Antonio Sanchez; production designer, Kevin Thompson; produced by Arnon Milchan, John Lesher, James W. Skotchdopole and Iñárritu; released by Fox Searchlight Pictures.
Starring Michael Keaton (Riggan), Edward Norton (Mike), Emma Stone (Sam), Naomi Watts (Lesley), Zach Galifianakis (Jake), Andrea Riseborough (Laura), Amy Ryan (Sylvia), Lindsay Duncan (Tabitha), Jeremy Shamos (Ralph) and Merritt Wever (Annie).