Eternity Comics

Doctor Gorpon (1991) #3

Doctor Gorpon  1991  3

So last issue was a surprise as far as creator Marc Hansen’s plotting for Doctor Gorpon goes and this issue is no different. The issue opens having to resolve three cliffhangers—all of the monsters Gorpon has captured over the years has gelled into sentient ooze bent on destroying him, his former assistant is at the back door also bent on destroying him, and the police chief (not captain, which just makes the cop stupider) is watching the animate chocolate bunny monster eat people while waiting for Gorpon to show up so the chief can… destroy him.

There’s a throwaway line about why Gorpon wears a mask—he’s got his new assistant, a dopey teenage punk—but it turns out to be incredibly important in the mythology building Hansen ends up doing in the issue. He’s got three cliffhangers to resolve (which he spends a bunch of the issue doing), some major reveals, and he still manages to fit in a third act and an epilogue. Doctor Gorpon is a visual delight of gross cartooning and funny dialogue—Hansen also explains why Gorpon’s got such a peculiar vocabulary—but it’s also a great example of good plotting. Hansen covers a whole bunch of narrative without ever forcing it (the mythology-building stuff doesn’t get—or need—any spotlight, Hansen just puts it in organically) and never sacrifices the cartoon gore or humor.

The issue ends with promise of future Gorpon adventures but not of a sequel (Hansen’s been getting more mileage out of the concept since the first issue and exponentially increasing it in the subsequent issues), leaving a wonderful satisfaction to the comic.

Doctor Gorpon’s a win; Hansen and his creations ooze through any genre or medium constraints.

I’m really impressed with Hansen, but also with Eternity for giving him three issues of this madness.

Doctor Gorpon (1991) #2

Doctor Gorpon  1991  2

I was expecting Doctor Gorpon #2 to be gross and funny—and it is both gross and funny—but not have much of a story. Instead, creator Marc Hansen has a bunch of it. In fact, the story even overshadows the gross and some of the funny.

Everyone who survived the first issue is back. Gorpon’s struggling to get through menial tasks since firing (and maiming) his assistant; he can’t do laundry. Meanwhile, some decomposing scientist comes up with a cure but it ends up infecting and animating a chocolate Easter bunny, which starts feeding on human flesh. That sequence—the decomposing scientist interlude—is probably Hansen’s best art in the issue. The level of detail on the decomposition is horrifically wonderful. But the point isn’t the scientist, it’s the animated, human-flesh eating bunny, which ties into the idiot cop from the first issue’s return. Given where the issue cliffhangs, with three dangers in the mix… Hansen’s plotting is far more impressive (and effective) than I was expecting. Even after the successful first issue. There’s a lot of plotting to keep straight here and he does an excellent job.

The stoner teen from the first issue’s back, getting to go for a job interview at Gorpon’s, where Hansen gets to do some exposition on the state of monster hunting in the big city. It also feeds into one of the cliffhangers. Very nicely executed.

Similarly the former assistant trying to get revenge for the firing. And maiming. Probably more the maiming. He’s hired his own muscle bound grotesque to take on Gorpon, which ends up being the issue’s C plot, presumably to get a focus next (and last) issue.

Gorpon’s a good read. It’s assured enough I’m almost not surprised at the quality by the end of the issue, but it’s an Eternity comic and I’d never heard any of them were actually good. Gorpon’s actually good.

Doctor Gorpon (1991) #1

Doctor Gorpon  1991  1

Doctor Gorpon is a nice bit of gross-out gore. Creator Marc Hansen’s cartooning has these thick inks, which perfectly complement the tentacles and intestines the title character is pulling out of monsters throughout the issue. Doctor Gorpon is a monster hunter, one who charges for his services whether they’re requested or not (his first target is a monster masquerading as a harmless suburban husband), and terrorizes everyone around him, monster or not.

As Gorpon deals with having an incompetent assistant (who destroys Gorpon’s Gorpon Mobile through said incompetence), two teenage punks call forth a demon as part of their band practice. The cops—getting reports of the demon eating people—want to respond, but the police captain has it in for Gorpon, who steals his replacement car and thereby becomes public enemy number one.

Everyone in the comic is absurd in one way or another, with Hansen laying it on thick for Gorpon, the used car dealer, the cops, the punks. The demon is almost the most sensible one—he just wants to eat people and get stronger—whereas everyone else moves through the comic with a dangerous amount of dumb. Hansen plays the dumb up for laughs; there are some rather good ones.

And Gorpon himself is something of an exception. He’s not capable of being dumb because he’s too savage. He’s a barbarian loosed on the modern world. A lot of Gorpon’s fun consists of seeing Gorpon’s bull in a china shop routine, though it’s just as entertaining during the big monster fights thanks to those inks of Hansen’s and the humor.

Hansen gets twenty-eight pages of material out of the okay but definitely thin premise thanks to the humor—which includes the exposition—and, especially, the art.

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