Catwoman

Catwoman 4 (April 2002)

Catwoman #4How does noir work when the villain is a Clayface rip-off. I say rip-off because Catwoman is a Batman spin-off and Clayface is a Batman villain. Brubaker knew the similarity. It also gives Cooke something fantastic to draw. Selina in this gross pink muck–the leftover transformative flesh of the villain? Great stuff. Lots of movement in the art.

The villain does have something of a noir origin though. G.I. injured, army docs turn him into a monster, it’s like a film noir with shades of fifties sci-fi. It’s really cool.

But Brubaker relies on it almost too much. The script tries to showcase the art, which is fine and dandy and marvelous. Only it makes for some rushed scenes. One less page of the fight and one more page with Selina and Leslie would have been awesome.

The issue starts fast and rushes. The last few pages seem so short because of the action sequence pacing. Those last few pages are exceptional. Brubaker and Cooke figure out how to give noir a superhero. It’s great comic book storytelling.

Even if the fight goes long.

CREDITS

Anodyne, Conclusion; writer, Ed Brubaker; penciller, Darwyn Cooke; inker, Mike Allred; colorist, Matt Hollingsworth; letterer, Sean Konot; editors, Nachie Castro and Matt Idelson; publisher, DC Comics.

Catwoman 3 (March 2002)

Catwoman #3It’s a strange issue. It’s a good issue–though it’s certainly the least ambitious so far–but it’s also a strange issue. Selina doesn’t have as much narration as she had before and now she’s doing much different things. She’s the star of a Bronze Age Batman comic, where Batman dresses up as Matches Malone and investigates on the wharf.

It’s a successful issue. Cooke’s in on the Bronze Age vibe of the issue and the art feels very seventies. The content Cooke’s illustrating, anyway. There’s even a sixties thing with a used car dealer. A lot of thought went into the visual presentation of the book. I just wish Brubaker hadn’t been so quiet.

So far, this series has been about Selina evolving into a do-gooder. This issue continues that evolution, but with the exception of the narration in the first few pages, Selina’s experience is absent from the comic. Even when Brubaker brings back the narration later, it’s to establish that Matches Malone sequence.

Like I said, strange. Expertly, enthusiastically done, but with too much confidence in the narrative effect of the comic to worry about the narrative itself. It’s showy.

CREDITS

Anodyne, Part Three of Four; writer, Ed Brubaker; penciller, Darwyn Cooke; inker, Mike Allred; colorist, Matt Hollingsworth; letterer, Sean Konot; editors, Nachie Castro and Matt Idelson; publisher, DC Comics.

Catwoman 2 (February 2002)

Catwoman #2Cooke mixes a lot of styles in this issue. Selina lives her non-costumed life in a more angular city, one with more art deco designs than when she’s got the costume on at night. But Cooke also finds this mixed style for Selina herself. She’s got the modern look, but he also goes for Silver Ago influences to make her more sympathetic.

And then there’s what Brubaker’s narration does for her character. This series of Catwoman integrates whatever history the character had since Batman: Year One, so the Jim Balent stuff and whatever else, with a continuation of the character from Year One. Or at least something closer to that characterization. Including the history of prostitution.

The prostitution angle–with Holly, Selina’s sidekick from her Year One days–figures into the story, with Gotham’s dirty cops ignoring a serial killer preying on girls on the street. Selina ends up investigating it. There’s no humor in the comic. Not a moment. Not even when Cooke and Brubaker take the time and care to show Selina’s pure joy in running around the rooftops. It’s serious stuff; Brubaker’s very deliberate in how he works through Selina’s thoughts in the narration too.

Again, it’s noir. It’s a noir comic masquerading as a superhero comic (masquerading as a noir comic). Brubaker juggles the mainstream and more artistically ambitious beautifully. What Cooke does is just as important, but it only works because of how well Brubaker does his bit.

CREDITS

Anodyne, Part Two of Four; writer, Ed Brubaker; penciller, Darwyn Cooke; inker, Mike Allred; colorist, Matt Hollingsworth; letterer, Sean Konot; editor, Nachie Castro and Matt Idelson; publisher, DC Comics.

Catwoman 1 (January 2002)

Catwoman #1In his ★★ review of Batman Returns, Roger Ebert said, “no matter how hard you try, superheroes and film noir don’t go together; the very essence of noir is that there are no more heroes.” I disagree about the film, but not all of the quote. I agree with the first part, not so much the second. Because it’s a closed vision of heroes.

It oddly doesn’t seem to occur to Ebert how the “junkies and masochists and hookers and those who have squandered everything… [can be] the ring of brightest angels around heaven.” Because a review of a single comic book from 2002 needs this long of a preamble. One with the only time I’ll agree with Ebert this year and a great Rick Moody quote.

But Ed Brubaker and Darwyn Cooke’s Catwoman requires a significant preamble. Because Brubaker and Cooke crack Ebert’s problem. How do film noir and superheroes go together? Well, the superhero can’t be the hero. Batman shows up in this first issue of Catwoman for two reasons.

First, regardless of how progressive DC was being with a non-objectified characterization of Catwoman, they weren’t being so progressive they didn’t want to sell the comic. There’s an exceptionally tasteful, but sexy, suiting up sequence. Cooke can do that kind of thing, thanks to Brubaker selling Selina’s excitement. It’s believable.

That scene is so well-executed, one might just skip over it as a commercialist detail. But Batman is all commercial. You launch a spin-off of a Batman comic, Batman better guest star, especially in the early aughts, especially going from Chuck Dixon and Jim Balent to Ed Brubaker and Darwyn Cooke. You need Batman. And this issue delivers. A full-on Batman action sequence–it’s hard to remember when Brubaker’s mainstream writing was a DC staple, not how he brought the same thing to Marvel to better sales–then Batman shows up for character stuff.

And that character stuff is the second reason Batman shows up. He’s essential to Brubaker’s characterization of Selina. Selina has an informed but seemingly simplistic view of Batman; he’s her dark blue boy scout. It gives Selina better possession over the shared setting, she belongs.

Brubaker and Cooke visualize that setting as a noir. They start with the already noir-ish David Mazzuchelli Year One visuals then develop it, creating a Technicolor film noir. Brubaker’s script follows Selina–the comic’s narrator as well as protagonist–through her last few days of sabbatical. She doesn’t know it, but she’s going to get suited up again.

There’s a lot of noir framing in the flashbacks and so on. The narrative construction is special stuff. It’s meticulous. Meticulously written, then meticulously illustrated.

By the time the most noir element comes into the comic–in its last pages–Brubaker and Cooke have already delivered an awesome read. The way the last two pages and the soft cliffhanger? It’s the chocolate sprinkles on the frosting.

CREDITS

Anodyne, Part One of Four; writer, Ed Brubaker; penciller, Darwyn Cooke; inker, Mike Allred; colorist, Matt Hollingsworth; letterer, Sean Konot; editor, Nachie Castro and Matt Idelson; publisher, DC Comics.

Wednesday Comics 12 (23 September 2009

Skitched 20130301 152034One should never hope for too much from finales. Especially not from an extremely uneven anthology series like Wednesday Comics.

Batman’s bad. Kamadi flops. Superman apparently only remembered after twelve installments he had a wife at home.

Deadman is okay. One of the better mediocre strips. Green Lantern is bad. Metamorpho is lacking; Gaiman tries too hard for nostalgia.

Teen Titans is awful, Adam Strange is great. Supergirl is cute again, but Metal Men goes out too dreary. I still have no idea what story Caldwell told with Wonder Woman.

Sgt. Rock’s lame again, but in a syrupy way now. Good Flash comic, though confusing, and an almost okay finish to The Demon and Catwoman. Hawkman is severely lacking too.

The winner of Wednesday Comics is easily Paul Pope for Adam Strange. The losers are just as easy–the inept team of Eddie Berganza and Sean Galloway for Teen Titans.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 11 (16 September 2009)

632695Azzarello writes Batman as a rube while Risso tries to ape Sin City as a Batman. Gibbons once again summarizes the action too much on Kamandi. Sook’s barely got anything to do.

Superman is bad. As usual.

Deadman’s okay, Green Lantern’s awful. Ditto, respectively, for Metamorpho and Teen Titans. Hope respectively, in that sense, means Titans is the awful one.

Good (not great) Adam Strange. Poor (not terrible) Supergirl.

For the first time, Garcia-Lopez is too busy on Metal Men. All the large scale action hurts it. And Caldwell breaks out of his little panels for Wonder Woman. It’s a mistake.

Sgt. Rock is okay, The Flash is great. Demon and Catwoman sucks–it’s Simonson’s fault. Stelfreeze just doesn’t have anything good to draw.

Awesome Hawkman–the art’s astounding. Baker really outdoes himself.

Wednesday Comics is wrapping up. Shame most of the creators have no idea how to close.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 10 (9 September 2009)

632694Batman versus dogs, Azzarello’s inspired and Risso can’t even draw a cool Batmobile. Kamandi comes back a little; there’s a big battle scene, lots of panels. Arcudi misses a great Superman: The Movie homage on his dumb Superman strip.

Deadman’s okay, though all the action seems inappropriate. Green Lantern is lame; Busiek doesn’t understand weekly one page pacing. Metamorpho is competent but lame. Teen Titans is awful. Galloway’s a terrible writer.

Pope’s Adam Strange rocks. He’s clearly wrapping it up. Supergirl’s weak again. Too much plot, not enough cute. The Metal Men has some great art and a touching final couple panels. The Wonder Woman is once again confusing but still good. Maybe Caldwell just needs more space to tell the story.

The Sgt. Rock is okay. Far better than the strip’s worst. Decent Flash; very sci-fi.

Predictably lousy Demon/Catwoman and great Hawkman.

Comics is almost over.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 9 (2 September 2009)

632693The art on Batman’s good. Risso’s aping Frank Miller, but it’s a stylish fight regardless. Kamandi continues to have story problems and poor Sook has nothing active to draw. Crap Superman. Nice Deadman. It might be Comics’s underdog strip.

It’s the best Green Lantern, which says little for the strip. Metamorpho‘s periodic table gimmick is so tired in its second week, Gaiman’s even bored writing it. I think someone told Berganza he was writing a kids’ cartoon for Titans, not a comic strip.

Good Adam Strange. Pope hasn’t topped his Earthbound Adam development so it’s kind of underwhelming.

Lame Supergirl (too wordy), okay Metal Men. Wonder Woman’s fine, Sgt. Rock’s not awful.

Oh, The Flash. Fletcher and Kerschl homage various comic strips. It’s fantastic. Best thing this issue except Baker’s Hawkman versus T-Rex panel.

And The Demon/Catwoman is awful again. Its quality’s plummeted.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 8 (25 August 2009)

632692Batman’s bad; Azzarello’s desperate to make it a noir and he just can’t. Kamandi’s mediocre. Still nice art but the story’s stalling. Superman has no story and is bad too. Deadman’s got some great art.

Oh, Green Lantern. It’s weak again. Metamorpho’s fun, with a periodic table gag, but there’s no story. Teen Titans is inexplicable and bad. Adam Strange is confusing and fantastic. Supergirl’s tiresome. Very nice art on Metal Men from Garcia-Lopez, even if Didio’s run out of character moments.

Wonder Woman’s nearly comprehensible, even if Caldwell wastes most of his page. Sgt. Rock’s lame but not bad, The Flash is good. Oh, The Demon and Catwoman. Stelfreeze is wasted on such big panels. His work looks better when it’s precise, not emboldened.

Baker’s got a neat Hawkman, spanning two or three genres. Interesting Batman rendering too.

Comics’s moving along.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 7 (19 August 2009)

632691 1Batman is a little better than usual. Not the art, but at least Azzarello writes two scenes. On the flip, this Kamandi strip is probably the weakest. Still good, but pointless.

Superman’s crap, Deadman’s pretty but slight, the Green Lantern is pointless. The Metamorpho, however, is weird in a good way. Crappy Teen Titans, but amusing–Berganza says Starfire is almost seven feet tall, Galloway draws her shorter than Robin. Great Adam Strange. Pope has really made the strip his own thing. Supergirl–with the Aquaman guest appearance–is weak again.

The Metal Men strip is still charming, but it’s starting to drag on. There’s a bunch of stuff in Wonder Woman but I’m not sure I understand it. Caldwell writes a great Etta.

Sgt. Rock is a little better, The Flash’s interesting again. Demon/Catwoman is lacking.

Baker rips off Jurassic Park but Hawkman’s still wonderful.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

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