Barracuda is one of Garth Ennis’s… what shall we call them… NC-17 action comedy limited series. He’s got a bunch of them at Vertigo, a few a handful of other places. The difference with Barracuda is it’s for Marvel (it’s the only Punisher MAX spin-off, which is something since Ennis loved spin-offs for Preacher and The Boys) and it’s maybe a little more… edgy as a pejorative for that thing White guys do edgy. Bad Tarantino and Tarantino knock-offs. Every twentieth word or so from series hero Barracuda is starts with ni- and ends in -ga. I wonder if you counted them you could figure out how many the editors at Marvel let Ennis have each issue….
Then there’s the main villain, Big Chris (as in Christopher Walken—Barracuda works best when you read Chris’s lines in Walken’s voice, which the lettering actually works towards, and Barracuda in JB Smoove’s, though you’d never really want to see Smoove play Barracuda as Barracuda’s a vicious sociopathic cannibal and Smoove’s really likable). Starting with Big Chris’s return to the story—he hires Barracuda in the first part, then Barracuda betrays him in the second, and Big Chris is back in the third issue and calling Barracuda a different racial epithet at the end of every sentence. Because Barracuda buys into brothers in arms—Airborne, crime, etc—over racism. Because it’s funny to have a racist sheriff hang out with Barracuda and call him slurs. It’s the kind of post-racist thing you’d expect to see after Obama was president but Ennis is a trailblazer so it’s a couple years early.
It also doesn’t add up to anything so it’s kind of pointless to look at it so hard.
Ennis fills the five issue series with eclectic, funny but unlikable characters. There’s Barracuda, obviously, who—at least in this series—only sexually assaults men; the women are all willing. He puts together various plans throughout, which keep changing based on his inability to successfully predict how his machinations will play out. We don’t get a lot of the plans. Occasionally Ennis showcases them with a monologue or two, but more often we hear the adjustments when Barracuda’s telling other people about them.
The biggest subplot in the series are these two FBI agents, one old, one young, who are trying to use Barracuda’s plotting to arrest Big Chris. It all takes place in a fictional South American Reagan Republic, where Barracuda and his team of military advisors slaughtered the existing socialist government to put drug-runner Leopoldo in charge. Lots of great real American history stuff here, though it’s just garnish. Oddly, Goran Parlov’s art is best on the FBI guys, just for their expressions. The older one’s in sunglasses but the curve of his lips, you can see what he’s thinking. Great work from Parlov.
So Leopoldo’s the drug-running dictator, Wanda is his ex-porn star wife who’s sleeping with Barracuda, there’s the child molesting priest hiding out with them—I forgot for how long “adult” humor just meant directly targeting Howard Stern listeners. Barracuda’s there because Big Chris has entrusted him with Oswald, his only son. Oswald’s supposed to kill Leopoldo. Barracuda double-crosses Big Chris for Leopoldo, then will try to double-cross Leopoldo to take both him and Big Chris out. Plans within plans.
Oswald’s a hemophiliac and, therefore, can’t be touched or in any way injured.
Fifty is Barracuda’s fellow military advisor from the eighties who went to work at the Pentagon but is a closeted trans woman, which Barracuda somehow knows about but maybe has never seen Fifty dressed for her gender. It’s unclear. Ennis’s take on it seems to be so transphobic it’s no longer transphobic? He also throws in some homophobia but… again, is it through the looking glass and circular? Doesn’t matter, because there’s no reason to read Barracuda. Not even for Punisher MAX completists. It’s not great or even good really, but it’s not incompetent or bad. Ennis just doesn’t have a story and tries to mug his way through it. Parlov’s art is good but it’s not particularly interesting stuff. It starts in Florida, which is basically just as tropical as the South American city-state; actually, Barracuda’s adventures in Florida seem more interesting than his attempted coup with an eclectic supporting cast.
Can’t wait to see what Disney does with the property.