There’s barely any Frank in this issue. He opens it—gets the first two pages, then writer Garth Ennis shifts the action entirely to the villains. Frank’s been up against the mob, he’s been up against the Russians, he’s been up against big business, but now he’s up against a group of women he’s widowed.
Hence the arc title.
Their story—five women who band together to try to do what the men can’t, kill the Punisher—is separate from what it seems like Frank’s got going on. He narrates the first two pages, thinking about how he’s back to the basics, not torturing criminals anymore in imaginative ways, just terrifying them into talking then putting one in the head. Given the last arc has left Frank with many of the MAX series’s threads tied, not necessarily neatly either, he’s in a new place. A somewhat self-reflective one, where he’s not unsure of himself as much as interested in what not being unsure says about him.
The women have varied histories with the Punisher. Three of them just had their mobster husbands killed (one of them is widowed from a previous arc’s supporting player), one of them stands out because she’s a Black woman (which causes problems for one of the other widows), the organizer calls back to the first issue of the series when Frank took out almost fifty mobsters in the same family. She’s the daughter and granddaughter of the family. They bicker amongst themselves a little—actually it’s mostly telling the racist one to stop being racist and get with the program—then tell their stories, which Ennis flashes back.
He juxtaposes the widows’ plotting with another woman’s night out at the bar, picking up a rando, beating the shit out of him when he gets crosses a line (despite him being a shitheel, he doesn’t actually realize the line’s there… or what being disrespectful is going to get him). The issue ends with the somewhat problematic reveal the woman has had a double mastectomy. She’s also scarred on the face, which she had make-up concealing before… but that detail’s not the emphasis. The double mastectomy is the end reveal, making the issue—which features some questionably written AAVE from the Black widow—maybe Ennis’s most problematic?
But it’s also the most ambitious he’s ever gotten with the villains. He’s giving the mob widows all the power of being just as awful as their husbands. It’s rocky, but far from unsuccessful.
Good art from Lan Medina and Bill Reinhold. There’s a lot of detail, though Medina’s Frank is kind of boring. He’s a generic big guy with nowhere near the personality Medina and Reinhold put into the widows, which doesn’t really work. Showing Frank from their perspectives—their imaginations—would be something. Instead, he’s even more generic and bland (he looks like marketing key art) in the flashbacks than he appears in the first couple pages.
From the first issue, it certainly seems like Widowmaker is going to be a far more intimate affair than Punisher MAX, Frank, and Ennis have been having lately.