Ennis starts the issue with some more framing: Frank and O’Brien eating rations in a cave somewhere in Afghanistan. It’s a two page teaser, with Frank giving in and going for a roll in the sack with O’Brien. Again. Even though, the narration reveals, he’d told himself not to do it. Ennis’s Punisher MAX has done a lot of things in its run so far, but establishing Frank Castle gets horny in his downtime… well, it might not be the biggest success but it’s definitely a success. Frank Castle: Sexual Being. Who knew.
The rest of Frank’s narration, with a couple exceptions in the last couple pages, is about him getting to Afghanistan. It’s not a lot of narration, because on the last plane he meets a reporter who’s going to talk his ear off and give the reader some exposition as to how big bad Russian villain Zakharov got the “Man of Stone” nickname; doing heinous shit to Afghan civilians during the Russian occupation. What’s weird about the sequence—besides the comic cutting from the intro to the exposition dump to Zakharov and his goons preparing for the Punisher’s arrival—is how Frank probably knows all of it (yet doesn’t want to talk to the reporter so doesn’t mention it)—so it’s exclusively for the reader’s edification, which plays weird. Something’s missing. Maybe Frank’s narration.
The issue continues the arc’s weird pacing—like Ennis is doing all the bridging issues in the front—with, once again, barely any time spent on O’Brien. She and Frank probably get about the same amount of page time but he’s got the narration to make more of an impression. Dialogue-wise, they’re probably equal. Or Frank’s less. O’Brien’s opening scene is with Yorkie, who does most of the talking (though not all) and then she and Frank talk a little, but pragmatically. Rawlins gets the most dialogue or at least seems like it because he’s got this lengthy ranting monologue about being a great spy and how valuable he could be to Zakharov. Rawlins and Zakharov get the most agency in the arc; Frank’s just reacting to them, O’Brien’s just a damsel (of sorts).
It’s an efficient, effective issue, with Fernandez drawing Frank the tourist a lot better than Frank at home, though he barely gets any panels compared to anyone else. Even when Frank does get a panel, Fernandez usually concentrates on something else. Fernandez’s art on Punisher is better because he’s drawing less Punisher. But, given Fernandez’s lows on the series, I’ll take it.
Man of Stone is half over and Ennis has just completed arranging the pieces on the board. He’s done a fine enough job with that arranging, but hasn’t really given a sign of what’s to come for anyone involved. There’s this inevitable showdown feel to it… except Ennis has only talked about the inevitability not shown it.