Dry County #2 reveals the mystery and it’s rather unexpected. At least for me. I was expecting some noir. Instead, it’s a kidnapping thriller. Only not a very thrilling one.
The protagonist, Lou, finally thinks things are going to progress with the girl he likes. She’s moved away from her abusive boyfriend, he–Lou–is making things happen at work. Everything is coming together. Then she’s kidnapped. Her roommate is assaulted. She’s just gone. There’s a note with the newspaper cut out letters. Lou starts investigating.
Couple things there aren’t. There’s not a ransom demand. There’s not a followup with the assaulted roommate. The girl’s got another roommate who just goes along with Lou’s “let’s not call the cops and instead stage a different scenario for the assaulted guy” plan. The note says no cops.
Lou’s investigation in the rest of the issue is just him canvasing the city where he thinks the girl might be. Someone keeps trying to run him over, but not seriously. Lou’s always able to get out of the way. He brings along his dumb tough guy friend for muscle, which leads to some genial amusement.
At best, Dry County is genially amusing. It’s not dangerous–it’s not realistic enough to be dangerous–and, as a protagonist, Lou is way undercooked.
Tommaso does instill some charm into the book. But probably not enough to keep it going.
Writer and artist, Rich Tommaso; publisher, Image Comics.