Did Ennis lose a bet? Because A Train Called Love is an astoundingly weird choice for him. Once again, it reads like if all of a sudden there were really good cartoons with short runs. Dos Santos’s art has that vibe as well, but it’s really because of Ennis’s dialogue. The comic is Ennis showing off at how well he can write talking heads. And that aspect, the obvious revelry in his ability, is why I wonder if Ennis lost a bet and had to write the book. Like someone said he couldn’t do a comedy comic book to rival the “hang-out” film. And he said, “All right, read Train Called Love.”

Because it’s hard stuff he’s doing here. Ennis is getting away with extreme, obvious jokes. He’s going after the humor people don’t want to acknowledge liking, much less thinking about, and he’s excelling. That success comes from the character work. Train’s “cast,” thanks to Dos Santos and Ennis, have a lot of personality. Yes, Ennis paces the dialogue to let each person make an impression; yes, Dos Santos’s composition makes them more sympathetic. It’s the synthesis though. I really want to know if Ennis gives Dos Santos compositional instruction in the script or if it’s Dos Santos.

So good.

And then, in addition to this late twenty-something comedy at a bar, there’s this amazing action subplot with some girl and a secret agent.

It’s all so good.