I love I Hate Fairyland. I love it. Skottie Young loves it too, which is good, since he’s writing and illustrating it. If he didn’t love it, I don’t think I’d love it.
Young’s got a particular style–accessible to children but with a lot of detail, not much attention to anatomy. Expressive anatomical representations. But not in the Liefeldian sense. Very tall people, very short people. He could use this style on gritty fairy tales, but instead he still fills Fairyland with wonderment and magic.
And a protagonist who hates Fairyland. And she’s wonderful. She’s one of the only humans (so far) and she got trapped in Fairyland as a kid. Twenty years later, she’s still a kid on the outside, but on the inside, she’s robbing casinos and eating mushroom people. Because, why not? Fairyland sucks after all (and she can’t get home).
There’s no way to tell what kind of story Young has in mind for the comic–one could argue, at the beginning, it’s about the lost girl (Gert) getting home, but not once Young skips ahead twenty years. Then it’s just about her getting into trouble and making trouble of her own.
Beautiful art, hilarious riffs on generic fairy tale standards. Young’s going for the humor in the writing and the magic in the art–though, really, Gert falling into Fairyland and breaking her face on the landing–she’s fine, promise–sets the mood for the rest of the comic.
Writer and artist, Scottie Young; colorist, Jean-Francois Bealieu; letterer, Nate Piekos; publisher, Image Comics.