Odd theme Lapham’s developing now–cruel women. This issue has a coed having an affair with her professor and she calls the wife during their lovemaking. It partially redeems the unfaithful husband, who seems weak instead of cruel himself. How else would he have fallen in with such a girl.
Then Monster shows up for an incredibly contrived reason–the mystery big boss needs something in code translated and the professor is the guy for it–and Lapham does a very lengthy action and suspense sequence.
There’s some really good art during that sequence. It’s set in a motel in the woods and the absence of anything but trees around it plays quite well on the page.
The writing on the professor and his wife are good, but the thing with the coed isn’t just shallow, it’s simplistic. Unfortunately, Lapham can’t imagine her situation, just her dialogue.
It’s too bad.
Motel; writer, artist, and letterer, David Lapham; editor, Deborah Dragovic; publisher, El Capitán Books.