I’m hesitant to wonder if Greg Rucka and Toni Fejzula are going to be able to maintain Veil’s success into a second issue and beyond. Fejzula’s art approximates watercolors, which is a complete disconnect from the issue’s content. Lovely watercolor panels set against the story of a woman who wakes up naked in an abandoned subway and then in a bad neighborhood.
Rucka and Fejzula are challenging the idea of Sturm und Drang with it, not to mention with the girl–the titular Veil–actually finding a nice person. Even in the moments of ultra violence (watercolor ultra violence is another new one), Veil retains some positivity.
For that reason, along with its deliberate, self-indulgent (yet justified) pace, Veil is one of the best things Rucka’s ever done. He and Fejzula aren’t pushing the comics medium’s limits, but they are knocking it over to see how it works.
Writer, Greg Rucka; artist and colorist, Toni Fejzula; letterer, Nate Piekos; editors, Roxy Polk, Shantel LaRocque and Scott Allie; publisher, Dark Horse Comics.