Truth in Journalism is narratively broken. The gimmick is it’s a short French documentary about a New York city photojournalist (Ryan Kwanten), set sometime during the eighties. The setting isn’t immediately clear, which is a problem because otherwise it looks like director Joe Lynch just ran it all through a crappy video filter. Once the setting’s established though, the problems with the fake film stock go away.
Kwanten’s magnetic lead performance also helps the technical problems cease to matter. His morally bankrupt narrator is hilarious, getting past all the dialogue bumps.
But Journalism is actually a comic book movie (just not an official one). When they get to that moment–it’s horror oriented–things fall apart. The narrative structure breaks, the special effects just aren’t good enough. It’s a shame.
But then–breaking the narrative more–there’s another scene and it’s hilarious and it redeems the entire short. Well, almost.
Directed by Joe Lynch; screenplay by Lynch, based on a character created by David Michelinie, Mike Zeck and Todd McFarlane; director of photography, Will Barratt; produced by Adi Shankar.
Starring Ryan Kwanten (Eddie), Billy Khoury (Director) and Derek Mears (Lester).