It’s another man in a weird world “Twilight Zone” from Richard Matheson. This time, Howard Duff is a regular American middle class guy who all of a sudden wakes up in a world where he’s an actor playing that regular guy.
There’s a lot of great panic from Duff–he’s startlingly effective. Matheson and director Post keep finding ways to make it even worse for Duff. Post’s direction Eileen Ryan’s scenes (as Duff’s alternate universe wife) is outstanding.
Matheson’s script leaves a lot unsaid, including any explanation for Duff’s character losing it, but the episode’s best moments are the ones when Duff visually responds without a dialogue. The madness plays across his face.
After Ryan departs, David White takes over as a somewhat supportive ear (another Matheson “Twilight Zone” norm), but he’s nowhere near as compelling. When Ryan starts doubting reality, she’s wondrous.
Besides a rush finish, Difference is excellent.
Directed by Ted Post; written by Richard Matheson; “The Twilight Zone” created by Rod Serling; director of photography, Harkness Smith; edited by Joseph Gluck; music by Van Cleave; produced by Buck Houghton; aired by CBS Television Network.
Starring Howard Duff (Arthur Curtis), David White (Brinkley), Frank Maxwell (Marty Fisher), Eileen Ryan (Nora Reagan), Gail Kobe (Sally), Peter Walker (Sam), Susan Dorn (Marion Curtis) and Bill Idelson (Kelly).