Stumptown 3 (November 2012)

881437Southworth has a co-coloring credit this issue, which might explain why all of a sudden the coloring has to do sixty percent of the art’s work. It’s not just shadows, it’s perspective on people, it’s depth, it’s terrible.

Sadly, the corresponding rise in writing quality–when Southworth’s art gets even worse–doesn’t happen here. So it’s not corresponding, last issue was a fluke.

Rucka breaks the issue out into scenes. There’s a big scene with multiple stages, a small scene, another small scene, then the cliffhanger. Maybe something else happens in between but the cliffhanger shows Rucka doesn’t get the downtrodden detective genre.

He ends the issue with Dex up. Except it’s issue three so clearly she’ll have a reversal of fortune.

Another odd thing about the book is the lack of personality to the setting. Southworth draws landmarks; Rucka doesn’t do anything with them, they’re just photo references.

CREDITS

The Case of the Baby in the Velvet Case, Part Three; writer, Greg Rucka; artist, Matthew Southworth; colorists, Rico Renzi and Southworth; editor, James Lucas Jones; publisher, Oni Press.

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