Dark Horse Presents Annual 1997 (February 1998)

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For a Presents annual (or oversized special), this one has a lot of solid work.

Pearson’s Body Bags is a fun diversion. The art’s great and the story moves. It gets a little visually confusing, but it’s good.

And Verheiden (with Marrinan) finally produces a decent installment of The American. It’s a thoughtful story, very well written.

Arcudi and Musgrove’s The Oven Traveler is dumb. It’s a one page story dragged to four.

Aliens (from Smith and Morrow) is atrocious. It’s Aliens meets Westworld. If it weren’t terrible, it’d be an interesting genre mix—plus, Morrow can’t draw the aliens. They look awkward and goofy, not at all frightening.

Jillette and French’s Rheumy Peepers and Chunky Highlights is overwritten but mildly diverting….

Stephens and Allred’s The Stiff is decent, if too silly.

Then there’s a decent Pope finish. It’s a talking heads story, which seems like a waste of Pope.

CREDITS

Body Bags; story and art by Jason Pearson. The American, The Big Deal; story by Mark Verheiden; art by Chris Marrinan; lettering by Sean Konot. The Oven Traveler; story by John Arcudi; art by Scott Musgrove. Aliens, Tourist Season; story by Beau Smith; art by Gray Morrow; lettering by John Costanza; edited by Bob Schreck. The Adventures of Rheumy Peepers and Chunky Highlights; story by Penn Jillette; art by Renée French. The Stiff, Disappearing Act; story, inks and lettering by Jay Stephens; pencils by Mike Allred. Four Cats; story and art by Paul Pope. Edited by Jamie S Rich.

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