Dark Horse Presents 100 3 (August 1995)

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The Concrete story goes on forever, but it’s actually pretty funny how it turns out. Not funny enough to laugh at, but Chadwick definitely comes up with something amusing. Oh, I’ll just spoil it–a mom and son pull a long con on Concrete for something he did back in his first appearance. Decent art, nothing spectacular. Concrete’s just such a miserable character, he’s hard to read sometimes.

Pekar and Sacco have a little story. I still don’t get the appeal. It’s too affected to be real life, so….

Brunetti does a page of funnies, some of which I’ve read. They’re still awesome.

The strangest entry is from Savage, Waskey and Patterson. Waskey and Patterson illustrate an anecdote from Savage about being gay. It’s decent enough, but the art should have been better, more able to adapt an anecdote to comics.

Kelso’s got a socially conscious, depressing piece about homelessness.

CREDITS

Concrete, The Artistic Impulse; story and art by Paul Chadwick; lettering by Bill Spicer. Breakfast at Billy’s; story by Harvey Pekar; art and lettering by Joe Sacco. The Funnies; story, art and lettering by Ivan Brunetti. Faggot Story; story by Dan Savage; art by Jason Waskey and Bruce Patterson; lettering by Sean Konot. Whistle and Queenie; story, art and lettering by Megan Kelso. Edited by Bob Schreck and Scott Allie.

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