Dark Horse Presents 50 (April 1991)

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Heartbreakers is a little better this issue. Bennett and Guinan still don’t have a good sense of what makes a story interesting. This one implies it had potential to be interesting on the second to last page.

Hughes and Story do a few pages, riffing on the idea of pin-up pages. The writing’s far from perfect, but it’s Hughes doing regular comics. It’s technically outstanding, though some of the jokes require a lot of close attention.

Csutoras and Gaudiano continue Harlequin. Some of this installment features Gaudiano’s best art so far. The story continues to be somewhat indescribable and very odd. I love how they get humanity of it when it should be difficult.

Brubaker–in his first work?–has a little childhood reminiscence (art by Christian and Ranjo). It’s short and nice. I miss the cynical, jaded Brubaker.

Hedden and McWeeney do a one page thing. It’s fine.

CREDITS

Heartbreakers, Three Women; story by Anina Bennett and Paul Guinan; art by Guinan; lettering by Willie Schubert. Hip-Deep in the Consciousness Stream; story by Adam Hughes and Karl Story; pencils by Hughes; inks by Story; lettering by Jim Massara. The Black & White Blues; story and art by Rich Hedden and Tom McWeeney. Harlequin, Act III; story by Stephen Csutoras; art by Stefano Gaudiano. Burning Man; story by Ed Brubaker; art by Mike Christian and Jeff Ranjo; lettering by Jack Pollock. Edited by Randy Stradley.

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