Reading Mr. Monster, I thought a lot about how much I love Will Eisner’s Spirit in black and white. Not because Gilbert’s art in any way reminds of Eisner, but because it doesn’t. Because instead of publishing wonderful black and white comics, Dark Horse Presents is publishing Gilbert’s Mr. Monster and it looks like pencils run through the photocopier to darken it. Art aside, it’s still atrocious.
The Concrete story is completely depressing. While visiting his parents’ grave, Concrete contemplates his future. It’s bleak. Chadwick’s art isn’t particularly special here (why is Concrete the one thing he doesn’t draw well), but it’s one heck of a lovely downer.
Badger’s Mask story is just a filler, maybe announcing Badger’s leaving or maybe not. It’s hard to tell.
Nelson has a one page Dinosaur Tales, which is more design than anything else, but still nice.
That Mr. Monster story was really awful.
Concrete, Now is Now; writer and artist, Paul Chadwick; letterer, Bill Spicer. The Mask, Gone Fishing!; writer and artist, Mark Badger; letterer, David Jackson. Mr. Monster, His World; writer and artist, Michael T. Gilbert; letterer, Ken Bruzenak. Dinosaur Tales; writer and artist, Mark A. Nelson. Editor, Randy Stradley; publisher, Dark Horse Comics.