Dark Horse Presents 11 (October 1987)

Is The Mask supposed to be understandable? Badger’s writing seems straightforward enough–two CIA agents are trying to find a Cuban priest who’s in New York City, but his art makes it completely incomprehensible. And it’s hard to imagine how the titular Mask (Masque) is going to figure into the priest’s story. I also can’t figure out if it’s supposed to be pro-Cuba or anti-Cuba.

West writes a little history lesson about the Battle of the Somme. Moiseiwitsch’s art is more like etchings and the text is set to them and somewhat related. It’s unsuccessful but not ambitious either.

Roma limps to its finish. Some nice art from Workman but the writing’s incredibly weak. He’s also basically only doing closeups now, which is odd since the story’s got a big finish.

The best thing in the issue–by far–are Nelson’s two Dinosaur Tales pages. Absolutely wondrous art.


The Mask; writer and artist, Mark Badger; letterer, Tim Harkins. Forgotten; writer, Ross Evan West; artist, Carel Moiseiwitsch. Roma; writer, artist and letterer, John Workman. Dinosaur Tales; writer, artist and letterer, Mark A. Nelson. Editor, Randy Stradley; publisher, Dark Horse Comics.

0 thoughts on “Dark Horse Presents 11 (October 1987)”

  1. Boy, after checking out your reviews, I’m surprised DHP made it this far on sales. Nothing like the 80’s to keep a black & white title going. It gets better, though.

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