Between Two Worlds has some nostalgic value for me. When I first discovered Eleanor Parker (through an article in the magazine, “Films of the Golden Age,” which I’ve had to drop for its insane right-wing, fascist values), Between Two Worlds was somehow one of the first of her films I came across. It’s early in […]
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© 2005–2008 Andrew Wickliffe — Cutline by Chris Pearson.
