Watching The Lookout, I never really wondered how Joseph Gordon-Levitt was going to do. I wondered about Jeff Daniels, for instance, since Daniels spent the late 1990s working up his number of excellent performances only to fade from things I watch. Gordon-Levitt… looking over his IMDb, I’m not sure the guy’s ever been bad. He […]
Entries Tagged as 'Miramax Films'
The Lookout (2007, Scott Frank)
April 11th, 2007 No Comments
Hostage (2005, Florent Emilio Siri)
April 10th, 2007 1 Comment
Hostage, towards the end, plays a little like a Die Hard movie, which isn’t surprising, since Doug Richardson did write it (he also wrote Die Hard 2) and Willis, who’s good in Hostage, is usually best in… well, Die Hard movies, actually. Like those films, Hostage lets him emote and he does a good job […]
Flirting with Disaster (1996, David O. Russell)
February 15th, 2007 No Comments
The first forty-five minutes of Flirting with Disaster play like Woody Allen mixed with a 1990s Miramax indie, which makes sense, since Flirting is a 1990s Miramax indie. That first half is real strong comedy of errors, then Josh Brolin’s bi (but married to fellow ATF agent Richard Jenkins, who’s phenomenal) old friend starts hitting […]
Kafka (1991, Steven Soderbergh)
April 6th, 2006 No Comments
I wonder how the producers sold Jeremy Irons on the film. It was his first major role after his Oscar and it immediately followed, so he probably hadn’t won when he started filming Kafka… however, imagine if they’d advertised the film as “Academy Award Winner Jeremy Irons running through the empty streets of Prague.”
Kafka’s Soderbergh’s […]
Sling Blade (1996, Billy Bob Thornton), the director’s cut
November 15th, 2005 No Comments
I’m going to assume Sling Blade was a labor of love for actor/writer/director Billy Bob Thorton (remember how much of a big deal he used to be?), just because it has all the trappings of a labor of love. I watched the newish director’s cut DVD, which runs twenty-two minutes longer than the theatrical version […]
Cop Land (1997, James Mangold), the director’s cut
October 1st, 2005 No Comments
Here’s an interesting director’s cut… it doesn’t change the film overall.
Most director’s cuts, extended versions, whatever, change the effect of the film. Blade Runner is the usual example, but so is something like The Big Red One (though not as much). In many ways, Cop Land is like Touch of Evil. The experience doesn’t change […]
Recommend on Mahalo



