Entries Tagged as 'Gramercy Pictures'
I don’t know how to start talking about The Last Days of Disco. I was going to start with saying I first saw it ten years ago (I first saw it on video), but then I realized I probably first saw it eleven years ago and eleven doesn’t have the same ring. People do like…
Seeing as how The Usual Suspects popularized the major twist ending–that contrivance having now plagued American cinema for the last dozen years–it’s interesting to see it again. I haven’t seen the film in years (probably ten, at least nine), but I remember the last time I watched it, I thought about what was true and…
Two major things about Soderbergh’s approach to a memoir adaptation. They’re somewhat connected, so I might not manage to separate them out. King of the Hill has no frame, it has no narration. It has no context. It does not feel, at all, like a “true” story because there’s no attempt to classify itself as…
A Good Man in Africa is about the British practicing a modified form of the age-old British diplomacy in Africa (duh) in modernity. As such, when I saw John Lithgow’s name in the credits, I did not expect him to be playing a Brit. However, Lithgow does play one and he does so quite poorly.…
Of all my youthful indiscretions, I think my affection for Kevin Smith is–today–the most embarrassing, simply because it perplexes me. I watch Mallrats and I don’t get how I could have watched and liked this film multiple times. By 2000 or so, I didn’t. But from 1996 to 1999, I must have watched this film…
Do the Brits have any major film movement? In the 1920s, the Germans had the expressionist movement. In the (what?) 1960s, there was the French New Wave. In addition to contributing more Greenhouse Effect-causing pollutants to the atmosphere, the United States has perfected the over-produced blockbuster. The British, however, have never really had a movement.…
