With Conrad L. Hall shooting it and James Horner (pre-Titanic and fame) scoring, Class Action is great looking and sounding. Apted’s composition is frequently excellent. But it’s a vehicle for Mary Elizabeth Mastrantonio and it, rather unfortunately, eventually just works on that vehicle level. There’s no real surprises, no real content… just running time with […]
Entries Tagged as 'Gene Hackman'
Class Action (1991, Michael Apted)
February 21st, 2008 No Comments
Runaway Jury (2003, Gary Fleder)
February 1st, 2008 1 Comment
I thought there were no anti-conservative Hollywood films for a long while after 9/11, so I guess Runaway Jury went under the radar. It appears to have been a significant bomb and, watching it, it seemed strange to see John Grisham’s name on screen. It’s been a long time since adaptations of his novels have […]
All Night Long (1981, Jean-Claude Tramont)
January 21st, 2008 No Comments
There’s a certain tragedy about All Night Long. Not the film’s story or anything, but the film itself. It’s a debacle–Barbara Streisand is unbelievably terrible and the cuts made to the film (twenty minutes) significantly damage it–a painful to watch debacle. It’s such a chore to get through, I can’t imagine trying to watch it […]
Extreme Measures (1996, Michael Apted)
November 11th, 2007 No Comments
Thanks to a frantic trip through the New York skyline and Danny Elfman’s familiar score, Extreme Measures’s opening credits play like an unused Batman sequel opening… until the two naked guys run out on to the street. It’s an odd opening (and the naked guys and their plight are compelling enough one forgets Elfman until […]
Wyatt Earp (1994, Lawrence Kasdan), the expanded edition
September 10th, 2007 No Comments
Thirty-nine years old when Wyatt Earp was released, all Kevin Costner needed to do to de-age himself twenty years was smile. During the young Earp days, Costner looks younger than costar Annabeth Gish, not to mention Linden Ashby (playing his younger brother).
The extended version of Wyatt Earp clocks in at three and a half hours. […]
Superman II (1980, Richard Donner), the Richard Donner cut
March 21st, 2007 No Comments
Superman II might just be broken. Watching “The Richard Donner Cut,” it’s an easy conclusion to come to–the greatly anticipated Marlon Brando scenes feature a callow, selfish Superman–not one who’s bursting with love for Lois Lane, like in the theatrical version. Also problematic is the utter lack of super–it’s a Superman movie, but this version […]
Superman (1978, Richard Donner)
March 8th, 2007 No Comments
I love how the end of Superman, with the spinning back of the earth, causes so much trouble for people. My fiancée–before Marlon Brando had even gotten the kid into the spaceship–made me stop the movie twice (I had to tell her to stop, though I love her line about Superman having just as many […]