Given the star and the director, it shouldn’t be surprising Runaway is rather conservative. And, given the endless kissing montage over the end credits, it also appears to have been geared toward female viewers (but with Selleck, that one isn’t a surprise either). As science fiction, Runaway is very, very safe. It’s an unexciting safe. […]
Entries Tagged as '★'
Runaway (1984, Michael Crichton)
March 27th, 2008 1 Comment
One Way Street (1950, Hugo Fregonese)
March 18th, 2008 No Comments
Here’s a goofy one–the title also could be The Doctor in the Sombrero–with James Mason as a mob doctor who makes off with two hundred grand and the boss’s girl, only to end up in rural Mexico, healing horses. It’s all pretty standard stuff, down to the excursion to Mexico, but Mason and Dan Duryea […]
Rough Magic (1995, Clare Peploe)
February 13th, 2008 No Comments
Rough Magic isn’t a bad idea, it’s just poorly plotted. Most of the movie takes place in Mexico, where its mildly engaging and generally amusing (except when Paul Rodriguez shows up to annoy and he is incredibly annoying). Notice all the qualifiers? The movie starts strong and even gives the impression of ending strong (it […]
Rambo III (1988, Peter MacDonald)
February 11th, 2008 No Comments
According to IMDb, Rambo III was the most expensive movie ever made at the time of its release. It shows. Enormous sets, lots of vehicles–Rambo versus a helicopter, Rambo versus a tank, Rambo in a tank versus a helicopter. For all the money, it ought to look fantastic–except director Peter MacDonald, a camera operator and […]
Runaway Jury (2003, Gary Fleder)
February 1st, 2008 1 Comment
I thought there were no anti-conservative Hollywood films for a long while after 9/11, so I guess Runaway Jury went under the radar. It appears to have been a significant bomb and, watching it, it seemed strange to see John Grisham’s name on screen. It’s been a long time since adaptations of his novels have […]
Now You Know (2002, Jeff Anderson)
January 31st, 2008 No Comments
So, Now You Know is an odd mix. It’s one part romantic comedy (where the problems between Jeremy Sisto and Rashida Jones aren’t just conveniently solved, but shallowly too), one part talking comedy a la Clerks, and one part low budget inventive movie. The last part is the most interesting–Jeff Anderson gets some familiar faces […]
All Night Long (1981, Jean-Claude Tramont)
January 21st, 2008 No Comments
There’s a certain tragedy about All Night Long. Not the film’s story or anything, but the film itself. It’s a debacle–Barbara Streisand is unbelievably terrible and the cuts made to the film (twenty minutes) significantly damage it–a painful to watch debacle. It’s such a chore to get through, I can’t imagine trying to watch it […]
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