I think this film is the one of the best films Woody Allen never made.
I don’t talk about it much, or ever, since I watched all of Allen’s films long before the Stop Button, but there are some distinct Allen formats and he never seems to mix them. Olga’s Chignon mixes them a little–it’s never as […]
Tagged: Jérôme Bonnell· Studio Canal· ★★★½
We the hosts of An Alan Smithee Podcast do not take the responsibility of heralding Batman ’89 over Christopher Nolan’s Batman Begins or The Dark Knight lightly.
Nor do we waver on the Solomonesque division of Tim Burton’s career into one brilliant period (1985 — 1996) and one banal (1999 — present.) The recent release of Alice In Wonderland 3-D has reminded us that everyone and their dog has an opinion on Tim Burton just as The Dark Knight gave everyone an opportunity to spout their two bits on Batman and Batman vis-a-vis Tim Burton, as the two names are after all forever related. The funny thing is that almost everyone is simply repeating something they heard from someone else or read on the Internet.
Listen, we mustn’t compare ourselves to regular people. We’re critics.
That’s why this week on An Alan Smithee Podcast we’ve recorded our second commentary track special since Rick Rosenthal’s Halloween II, so as to better enlighten the masses.
With incredible new “start the movie and this MP3 at the same time” technology, you’ll be privy to two hours and 6 minutes of hardened analysis from the two most level headed Batman and Tim Burton fans on the planet. Aspects mentioned in our commentary track include the The Dark Knight’s plagiarism of the film, the hammy performances of William Hootkins and Jack Palance, the utter brilliance of Sam Hamm, Kim Basinger’s golddigging, the influence of Warner Brothers gangster movies, the tyranny of Prince, the tyranny of Jon Peters, how to quote Robert Wuhl in your everyday life, our mixed feelings on the Batwing, Batman and The Joker’s (separate) sex lives, how to quote Joseph Stalin in your everyday life, and the crazy eyed greatness of Michael Keaton.
NEXT WEEK: BLACK NARCISSUS (1947, MICHAEL POWELL & EMERIC PRESSBURGER) & COBRA (1986, GEORGE P. COSMATOS)
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